图书简介
Publishing its nineteenth volume, The Shakespearean International Yearbook surveys the present state of Shakespeare studies, addressing issues that are fundamental to our interpretive encounter with Shakespeare’s work and his time, across the whole spectrum of his literary output. Contributions are solicited from scholars across the field, from both hemispheres of the globe. New trends are evaluated from the point of view of established scholarship, and emerging work in the field is encouraged. Each issue includes a special section under the guidance of a specialist Guest Editor, along with coverage of the current state of the field in other aspects. An essential reference tool for scholars of early modern literature and culture, this annual publication captures, from year to year, current and developing thought in Shakespeare scholarship and theater practice worldwide. There is a particular emphasis on Shakespeare studies in global contexts.
Preface Tom Bishop and Alexa Alice Joubin Editors Part I: Special Section: Shakespeare and Refugees Special Guest Editors: Ton Hoenselaars, University of Utrecht, and Stephen O’Neill, Maynooth University Introduction Ton Hoenselaars and Stephen O’Neill I: Dangerous Conversations / Communities Refugee Theatre: Hospitality and Dangerous Conversations in The Jungle and Hamlet David Ruiter, University of California, San Diego In the eye of the storm: Refugee-responsive Shakespeare on the Italian stage Sara Soncini, University of Pisa Hamlet in the "Jungle": Representing Shakespeare in the Calais Refugee Camp" Amy L. Smith, Kalamazoo College II: Stories An Interview with Ayham Majid Agha Margaret Litvin, Boston University Foreigners and Strangers: Theatre, History and a City of Refuge Tony Howard, University of Warwick Dramatic Escapes: Elisabeth Bergner, the Vanishing Refugee, and As You Like It Robert Sawyer, East Tennessee State University III: Ethics "This is the strangers’ case": Shakespeare, Sir Thomas More, and Refugees Sabine Schulting, Freie Universitat, Berlin Humanist Shakespeare? Xennophobia and Compassion in Sir Thomas More Anne Sophie Refskou, University of Surrey Part Two: Latin American Shakespeares "This island’s mine": Ecocritical Caribbean Tempests Jennifer Flaherty, Georgia College Recovering Linguistic Multiplicity in Nicanor Parra’s "Antipoetic" Translation of King Lear Belen Bistue, Universidad Nacional de Cuyo "Enter Time, the Chorus": The Winter’s Tale by Companhia Atores de Laura, Brazil Aline de Mello Sanfelici, Universidade Tecnologica Federal do Parana, and Jose Roberto O’Shea, Universidade Federal de Santa Catarina Possessed by Shakespeare: Hamlet and Tomas Gonzalez’s El bello arte de ser Donna Woodford-Gormley, New Mexico Highlands University Anti-Shakespeare Rhetoric and Colombia’s "Theatre for Peace" Kevin Quarmby, The College of St. Scholastica "Sir, you’re robb’d": Iago and the Ethics and Aesthetics of Adapting Shakespeare in Brazil Cristiane Busato Smith, Arizona State University, and Liana de Camargo Leao, Universidade Federal do Parana. Shakespeare in German Translation Translating Orchids: Rhizomes in German Shakespeare Translation Christian Smith, Independent Scholar
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