图书简介
This book examines the early development of the graphic arts from the perspectives of material things, human actors and immaterial representations while broadening the geographic field of inquiry to Central Europe and the British Isles and considering the reception of the prints on other continents.The role of human actors proves particularly prominent, i.e. the circumstances that informed creators’, producers’, owners’ and beholders’ motivations and responses. Certainly, such a complex relationship between things, people and images is not an exclusive feature of the pre-modern period’s print cultures. However, the rise of printmaking challenged some established rules in the arts and visual realms and thus provides a fruitful point of departure for further study of the development of the various functions and responses to printed images in the sixteenth century.The book will be of interest to scholars working in art history, print history, book history and European studies.The introduction
Introduction: People Between Multiplied Things and Modified Images
Part 1: Things
1. Multiplicity and Absence: The Negative Evidence of Interactive Prints
Suzanne Karr Schmidt
2. Playing with Destiny: Three Late Fifteenth-Century Uncut Playing-Card Sheets from Florence and Urbino
Loretta Vandi
3. Cultivating Designs: Early Ornamental Prints and Creative Reproduction
James Wehn
4. Gillet and Germain Hardouyn’s Print-Assisted Paintings: Prints as Underdrawings in Sixteenth-Century French Books of Hours
Maureen Warren
5. A Passion for Prints: Netherlandish Engravings in an Early Sixteenth-Century Prayer Book
Olenka Horbatsch
Part 2: People
6. Eroticism under a Watchful Eye: Censorship and Alteration of Woodcuts in Ovid’s Metamorphoses between the Fifteenth and the Sixteenth Centuries
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