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Contents: Introduction: Cavendish and Shakespeare, interconnections, Katherine Romack and James Fitzmaurice; ’Thou art a moniment, without a tombe’: affiliation and memorialization in Margaret Cavendish’s Plays and Plays, Never before Printed, Shannon Miller; Shakespeare, Cavendish, and reading aloud in 17th-century England, James Fitzmaurice; Drama’s Olio: a new way to serve old ingredients in The Religious and The Matrimonial Trouble, Erna Kelly; Dining at the table of sense: Shakespeare, Cavendish, and The Convent of Pleasure, Brandie R. Siegfried; Testifying in the court of public opinion: Margaret Cavendish reworks The Winter’s Tale, Alex Bennett; Gender, the political subject, and dramatic authorship: Margaret Cavendish’s Loves Adventures and the Shakespearean example, Mihoko Suzuki; Old playwrights, old soldiers, new martial subjects: the Cavendishes and the drama of soldiery, Vimala C. Pasupathi; Enlarging Margaret: Cavendish, Shakespeare, and French women warriors and writers, Amy Scott-Douglass; The Unnatural Tragedy and familial absolutisms, Karen Raber; ’I wonder she should be so infamous for a whore?: Cleopatra restored, Katherine Romack; Index.

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