图书简介

- Introduction - Europe’s New Hollywood? The German Film Industry Under Nazi Rule, 1933-1945; \"D.Welch\" & \"R.Vande Winkel - \"’European Cinema for Europe!’ The International Film Chamber, 1935-42; \"B.G.Martin - \"German Attempts to Penetrate the Spanish-speaking Film Markets, 1936-1942; \"L.Jarvinen\" & \"F.Peredo-Castro\" - Between Resistance and Collaboration: Austrian Cinema and Nazism Before and During the Annexation, 1933-45; \"R.von Dassanowsky - \"German Influence on Belgian Cinema, 1933-45: from Low-Profile Presence to Downright Colonisation; \"R.Vande Winkel\" - Nazi Film Politics in Brazil, 1933-42; \"L.Nazario\" - The Influence of German Cinema on Newly Established Croatian Cinematography, 1941-45;\" D.Rafaelic - \"A Dangerous Neighbourhood: German Cinema in the Czechoslovak Region, 1933-45; \"I.Klimes\" - The Attempted Nazification of French Cinema, 1934-44; \"B.Bowles\" - Cinema Goes to War: the German Film Policy in Greece during the Occupation, 1941-44; \"E.Sifaki\" - ’Competitor or Compatriot? Hungarian Film in the Shadow of the Swastika’, 1933-44; \"D.S.Frey - \"A War Within the War: Italy, Film, Propaganda and the Quest for Cultural Hegemony in Europe (1933-43); \"A.A.Kallis - \"Celluloid Competition: German-Japanese Film Relations, 1929-45; \"J.Hansen\" - From Dawn to Young Eagles : The (Failed) Attempt of Germanisation and Nazification of Luxembourg Through Cinema, 1933-1944; \"P.Lesch\" - Dutch-German Film Relations Under German Pressure and Nazi Occupation, 1933-45; \"I.Schiweck - \"From Will to Reality - Norwegian Film During the Nazi Occupation, 1940-45; \"B.Sorenssen\" - Brown-Red Shadows: The Influence of Third Reich and Soviet Cinema on Afrikaans Film; \"K.Tomaselli\" & \"M.Eckardt\" - Film and Politics in South-East Europe: Germany as ’leading cultural nation’; \"T.Kirk\" - German Films on the Spanish Market Before, During and After the Civil War; \"M.A. Paz\" & \"J.Montero - \"Swedish Film and Germany, 1933-45; \"R.Wright \" - Film Propaganda and the Balance between Neutrality and Alignment: Nazi Films in Switzerland, 1933-45; \"G.Haver - \"’A thin stream issuing through closed lock gates’: German Cinema and the United Kingdom, 1933-45; \"J.Fox - \"German Films in America, 1933-45: Public Diplomacy and an Uncoordinated Information Campaign; \"D.Culbert - \"German Film Politics in the Occupied Eastern Territories, 1941-45; \"R.Forster\" - Select Bibliography

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