图书简介
Shakespeare’s Sublime Ethos: Matter, Stage, Form breaks new ground in providing a sustained, demystifying treatment of its subject and looking for answers to basic questions regarding the creation, experience, aesthetics and philosophy of Shakespearean sublimity. More specifically, it explores how Shakespeare generates a sublime mood or ethos which predisposes audiences intellectually and emotionally for the full experience of sublime pathos, explored in the companion volume, Shakespeare’s Sublime Pathos. To do so, it examines Shakespeare’s invention of sublime matter, his exploitation of the special characteristics of the Elizabethan stage, and his dramaturgical and formal simulacra of absolute space and time. In the process, it considers Shakespeare’s conception of the universe and man’s place in it and uncovers the epistemological and existential implications of key aspects of his art. As the argument unfolds, a case is made for a transhistorically baroque Shakespeare whose "bastard art" enables the dramatic restoration of an original innocence where ignorance really is bliss. Taken together, Shakespeare’s Sublime Ethos and Shakespeare’s Sublime Pathos show how Shakespearean drama integrates matter and spirit on hierarchical planes of cognition and argue that, ultimately, his is an immanent sublimity of the here-and-now enfolding a transcendence which may be imagined, simulated or evoked, but never achieved.
Introduction Aside "With reason to admire" Plan of the work Chapter 1. On the Sublime Quod erat demonstrandum Replotting the sublime The early modern sublime Plato, Longinus, and the Christian sublime Some notes on the sublime Chapter 2. "Brightest heaven of invention": Sublime Topics Ethos and the sublime gestalt Sublime cues and "strong expressions" Sublime phenomena "Outstretched heroes" Counterfeit metaphysics Chapter 3. "The fairy way of writing": Sublime Matter "The hateful incredible" The sublime and the wonderful The tyranny of knowledge Chapter 4. "’Twixt heaven and earth": Sublime Scenography The sublime stage Perspective/Scenography The dangerous edge The art of intermediacy Chapter 5. Divine Mechanisms: Sublime Form and Shape "Irregularities of genius" Poems unlimited Divinity bursts forth No clocks in Rome [Entre’acte] "Awful parenthesis" "The very body of the time" "Fissures of sublimity" Chapter 6. Bastard Art, Innocent Experience Wood clearing The art of the blemish Atomism, atheism, aesthetics Sublimity and beauty "Damned custom", primal nescience "Fairing the foul" Child father Conclusions: Shakespeare’s Sublime Ethos
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