Plays of Our Own

图书简介

Plays of Our Own is the first anthology of its kind containing an eclectic range of plays by Deaf and hard-of-hearing writers. These writers have made major, positive contributions to world drama or Deaf theatre arts. Their topics range from those completely unrelated to deafness to those with strong deaf-related themes such as: a dreamy, headstrong girl surviving a male-dominated world in Depression-era Ireland; a famous Spanish artist losing his hearing while creating his most controversial art; a Deaf African-American woman dealing with AIDS in her family; and a deaf peddler ridiculed and rejected by his own kind for selling ABC fingerspelling cards. The plays are varied in style – a Kabuki western, an ensemble-created variety show, a visual-gestural play with no spoken nor signed language, a cartoon tragicomedy, historical and domestic dramas, and a situation comedy. This volume contains the well-known Deaf Theatre classic, A Play of Our Own. At long last, directors, producers, deaf and hearing students, professors, and researchers will be able to pick up a book of "Deaf plays" for production consideration, Deaf culture or multicultural analysis, or the simple pleasure of reading.;

Acknowledgements Contributor Biographies Introduction Chapter 1: The King of Spain’s Daughter* by Teresa Deevy Chapter 2: My Third Eye by The National Theatre of the Deaf Ensemble Chapter 3: A Play of Our Own by Dorothy Miles Chapter 4: The Ghost of Chastity Past or The Incident at Sashimi Junction* by Shanny Mow Chapter 5: DEAF SMITH: The Great Texian Scout by Stephen C. Baldwin Chapter 6: WomanTalk by Bruce Hlibok Chapter 7: 25 Cents by Aaron Kelstone Chapter 8: META by Patricia A. Durr Chapter 9: The Middle of Nowhere by Michele Verhoosky Chapter 10: A Not So Quiet Nocturne by Jaye Austin Williams Chapter 11: Profile of a Deaf Peddler by Mike Lamitola Chapter 12: Goya – en la Quinta del Sordo (in the house of the deaf man) by Willy Conley Chapter 13: Reflections of a Black Deaf Woman by Michelle Banks Chapter 14: Lost in the Hereafter* by Sabina England Afterword *denotes a play not about the Deaf experience, a D/deaf or hard-of-hearing person, nor Deaf culture Contributor Biographies Teresa Deevy, a prolific and established Irish playwright of the early twentieth century, studied at University College Dublin and University College Cork. Beginning in the mid- 1920s, the Abbey Theatre produced her plays Reapers, A Disciple, Temporal Powers, The King of Spain’s Daughter, Katie Roche, and The Wild Goose. She was elected to the Irish Academy of Letters in 1954. The National Theatre of the De

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Plays of Our Own（Routledge Series in Equity, Diversity, and Inclusion in Theatre and Performance） 我们自己的剧本：失聪与重听作家的戏剧选集 戏剧

Plays of Our Own（Routledge Series in Equity, Diversity, and Inclusion in Theatre and Performance）

我们自己的剧本：失聪与重听作家的戏剧选集
戏剧