图书简介

Part I: A Path Toward Integrating Serialism; Acknowledgements; Notes on Sources and Abbreviations; Preface; Introduction; A Short Primer on Boulez’s Sketch Types and Procedures; Chapter 1: From Pianist to Composer; Rural Roots; Transitioning to Paris; Chapter 2: Student Efforts; Influences versus Teachers; Specters of Messiaen; Leibowitz and Dodecaphony; The Emergence of an Original Voice; Chapter 3: Conventional Titles, Unconventional Forms; Structuralism, Surrealism, Schloezer, and Char; The Sonatine for flute and piano; The First Piano Sonata; Souvtchinsky, Souris, and the Second Piano Sonata; Part II: The Challenges of Integral Serialism; Chapter 4: Before Integration; Experimenting with Cage; Failure without Defeat: Polyphonie X; Chapter 5: Self-Ordained; Stockhausen and the Studio; The Death of Schoenberg; The ABC’s of Structures, Book 1; Chapter 6: Other Theatrics; The Tremendous Influence of Incidental Music; Boulez’s Kunstlerroman: Marteau as Cumulative Synthesis; Postlude-The Darmstadt School; Part III: Testing the Limits of Serialism; Chapter 7: Competing Trajectories; How blocs sonores Changed Everything; A Triptych, Part I: L’Orestie and the Theater; A Triptych, Part II: More Structures; A Triptych, Part III: A Third Sonata; Chapter 8: The Politics of Poetics; A New Approach to Prose; Darmstadt, Revised; Chapter 9: Stereophony and Spirals; Virtual Doubles: Figures-Doubles-Prisms; Spiraling Poetry: Poesie pour pouvoir ; Chapter 10: An Expanding Universe; Becoming Bourgeois (and a Conductor); The Power of Unpublished Works: Strophes and Don for piano; Chapter 11: Folding Space and Time; Improvisation I; Improvisation II; Improvisation II; Bookends: Tombeau and Don; Epilogue; Bibliography; Index

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