Routledge Companion to Audiences and the Performing Arts

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The Routledge Companion to Audiences and the Performing Arts represents a truly multi-dimensional exploration of the inter-relationships between audiences and performance.This study considers audiences contextually and historically, through both qualitative and quantitative empirical research, and places them within appropriate philosophical and socio-cultural discourses. Ultimately, the collection marks the point where audiences have become central and essential not just to the act of performance itself but also to theatre, dance, opera, music and performance studies as academic disciplines.This Companion will be of great interest to academics, researchers and postgraduates, as well as to theatre, dance, opera and music practitioners and performing arts organisations and stakeholders involved in educational activities.

The Paradox of Audiences Matthew Reason, Lynne Conner, Katya Johanson and Ben Walmsley Part One: Histories, Theories and Questions of Social Justice Introduction Lynne Conner 1. Ellen Dissanayake in Conversation Ellen Dissanayake and Lynne Conner 2. Histories of Audiencing: On Evidence, Mythology and Nostalgia Helen Freshwater 3. Disrupting the Audience as Monolith Lynne Conner 4. Who? Why? and How?: The Contribution of Sociology to the Study of Arts Audiences and Where it Needs Help Laurie Hanquinet 5. The Future of Audiences and Audiencing Jennifer Novak Leonard 6. Which Global? Which Local?: Aucitya, Rasa, Development, Ase and other Demands on the Audience Glenn Odom and Giri Raghunathan 7. Forced Experiences: Shifting Modes of Audience Involvement in Immersive Performances Doris Kolesch and Theresa Schütz Part Two: Policies, Politics and Practices Introduction Ben Walmsley 8. Alan Brown in Conversation Alan Brown and Emma McDowell 9. Are We the Baddies?: Audience Development, Cultural Policy and Ideological Precarity Steven Hadley 10. At what cost? Working Class Audiences and the Price of Culture Maria Barrett 11. A ‘Universal Design’ for Audiences with Disabilities? Bree Hadley 12. Fans and Fandom in the Performing Arts Kirsty Sedgman 13. The Role of the Audience in Forum and Interactive Theatre: Perspectives from Bangladesh Meghna Guhathakurta 14. Audience Engagement and the Production of Efficacious Theatre: Case Studies from Ghana Awo Mana Asiedu 15. Critical Perspect

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Routledge Companion to Audiences and the Performing Arts（Audience Research） Routledge 观众与表演艺术指南 舞蹈

Routledge Companion to Audiences and the Performing Arts（Audience Research）

Routledge 观众与表演艺术指南
舞蹈