图书简介

Introduction; Acknowledgements; I The Conventions of Breaking into Song and Dance; Chapter 1--Expressive Thresholds and Anomalous Utterances; LLOYD WHITESELL; Chapter 2--Make Like You’re Singing It: Performing Musical Texture in Judy Garland’s Early Films; DOMINIC SYMONDS; Chapter 3--Revealing the Subconscious: The Dream Ballet in Movie Musicals; KARA GARDNER; Chapter 4--Singing and Dancing in Widescreen: The Extreme Aesthetics of the Mid 1950s Studio Musical Number; TODD DECKER; II The Musical’s Othering Impulse ; Chapter 5--From Snow White to the Snow Queen: Voicing the Disney Princess; COLLEEN MONTGOMERY; Chapter 6--Going Places: Musical Latins in Latin Musicals; DESIREE J. GARCIA; Chapter 7 --Performing Whiteness Through the First-Generation American Immigrant Experience from Viennese Nights to Perfect Pitch; WILLIAM EVERETT; Chapter 8 --Cabenenic, Carabenic, Castalenic, Harlemenic: Reclaiming Blackness in Lena Horne’s film musicals; HANNAH ROBBINS; Chapter 9--I’d Do Anything or Export Strategies for a Culturally Specific Product: Dubbing, Subtitling and Cutting the Hollywood Musical for the German-Austrian Market; OLAF JUBIN; III Production Histories; Chapter 10--Hear the beat of dancing feet: 42nd Street (1933) and the New Film Musical; TIM CARTER; Chapter 11--When Fred Lost Ginger: Thoughts on the Genesis and Legacy of A Damsel in Distress; GEOFFREY BLOCK; Chapter 12--The Perfect Nanny: Casting in Disney’s Mary Poppins and the Children’s Musical; MEGAN WOLLER; Chapter 13--Developing the Screenplay for Singin’ in the Rain; ANDREW BUCHMAN; Chapter 14--Night and Day the Musical; CLIFF EISEN; IV Stars; Chapter 15--The Problem of Playing Oneself: Oscar Levant and the Hollywood Musical; NATHAN PLATTE; Chapter 16--Hard to Replace: The Shadow of Judy Garland and the Artistic Remarriage of Fred Astaire and Ginger Rogers in The Barkleys of Broadway; DOMINIC BROOMFIELD-McHUGH; Chapter 17--The Same Story Told Over and Over: The Mythology of Stardom in the Musical A Star is Born Films; JULIE LOBALZO WRIGHT; Chapter 18--The Auteur as Ghost Star: Vincente Minnelli’s Framings of Judy Garland; RAYMOND KNAPP; Chapter 19--Esther Williams’ Latin Lovers; STEVEN COHAN; V After the Studio System ; Chapter 20--Xanadu and the Musical’s History of Failure; MARTHA SHEARER; Chapter 21--’An Inescapable Failure:’ The Little Prince, Realism, and the Golden Age; KATHRYN JAYASURIYA; Chapter 22--Yentl, Barbra Streisand, and Music of the Mind; PAUL LAIRD; VI Musical Renaissance, Musical Reflexivity; Chapter 23--Theatricality, Artifice, and Affective Space in the Works of Baz Luhrmann; ROBYNN J. STILWELL; Chapter 24--Musical Television: Smash, the Backstager, and the Broadway Musical on TV; JANE FEUER; Chapter 25--The Virtuosic Camera: Nostalgia, Technology, and the Contemporary Hollywood Musical; HANNAH LEWIS; Chapter 26--P.T. Barnum Reinvented for the Twenty-First Century; JAMES LEVE $ $ https://global.oup.com/academic/product/9780197503423 $ $ $ $ APF; APFB; APFA; APFX $ Films, cinema; Individual film directors, film-makers; Film theory

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