图书简介

Introduction 1. A philosophical framework Introduction 1.1 Logic 1.2 Epistemology 1.3 Ethics 1.4 Aesthetics 1.5 Metaphysics 1.6 Three broad metaphysical distinctions: Idealism 1.7 Three broad metaphysical distinctions: Scepticism or Nominalism 1.8 Three broad metaphysical distinctions: Pragmatism 1.9 The Enlightenment split 1.10 Implications for architectural education and practice 2. Origins of Modernism – the European picture Introduction 2.1 Mechanisation 2.2 The problem of the city 2.3 The cultural issue of a modern style 2.4 Respect for the past 2.5 Moral criteria 2.6 Art Nouveau as a first manifestation of Modernism 2.7 Aesthetics, ethics and politics: some broader questions 3. Fin de siècle Vienna as a paradigm of Modernism Introduction 3.1 Historical and cultural background 3.2 Sitte and Wagner: two views of the city 3.3 Politics and philosophical thinking 3.4 Literature and psychology 3.5 Music 3.6 Furniture and painting 3.7 Architecture: Wagner and Loos 3.8 Relevance 4. The Modernist Canon: the Bauhaus, Le Corbusier and CIAM Introduction 4.1 Gropius and the Bauhaus 4.2 Gropius’s later career 4.3 Le Corbusier 4.4 The inherited problem of the city 4.5 CIAM’s solution to the problems of the city 4.6 Functional and formal disciplines 4.7 A first critique: decorated diagrams 4.8 The campus as a CIAM city 4.9 Philosophy and politics: the Bauhaus in its German context 4.10 Conflicted positions in Le Corbusier 5. Positive Scepticism: Alvar Aal

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