图书简介
Country music studies is a thriving interdisciplinary field. The Oxford Handbook of Country Music draws upon the expertise of leading and emerging scholars to present an introduction into the historiographical narratives and methodological issues that have emerged in country music studies’ first half-century and to suggest potential avenues for further research.
CONTRIBUTORS; INTRODUCTION: Situating Country Music Studies; Travis D. Stimeling; Chapter 1: Come Hither to Go Yonder: The Folklorist’s Zigzag Path to Country Music Studies; Erika Brady; Chapter 2: The Southernness of Country Music; Patrick Huber; Chapter 3: The Country Music Association, The Country Music Foundation, and Country Music’s History; Diane Pecknold; Chapter 4: Country Music as Cultural Practice; Clifford R. Murphy; Chapter 5: Geography and Country Music: Constructing Geo-Cultural Identities; Jada Watson; Chapter 6: On the Notion of Old-Time in Country Music; Greg Reish; Chapter 7: Country Music and Recording Practice; Travis D. Stimeling; Chapter 8: The Singing Voice in Country Music; Stephanie Vander Wel; Chapter 9: This Machine Plays Country Music: Invention, Innovation, and the Pedal Steel Guitar; Tim Sterner Miller; Chapter 10: Country Music and the Recording Industry; Charles L. Hughes; Chapter 11: Country Radio: The Dialectic of Format and Genre; Eric Weisbard; Chapter 12: Country Music and Television; Tracey E.W. Laird; Chapter 13: Country Music and Film; Barry Mazor; Chapter 14: The Sociology of Country Music; Richard Lloyd; Chapter 15: Class in Country Music; Leigh H. Edwards; Chapter 16: Race in Country Music Scholarship; Olivia Carter Mather; Chapter 17: Gendered Stages: Country Music, Authenticity, and the Performance of Gender; Kristine M. McCusker; Chapter 18: Sexuality in Country Music; Pamela Fox; Chapter 19: On the Sacred in Country Music; Stephen Shearon; Chapter 20: Goin’ Hillbilly Nuts: Fashion Culture and Visual Style in Country Music; Caroline Gnagy; Chapter 21: Whither the Two-Step: Country Dance Re-Writes Its Musical Lineage; Jocelyn R. Neal; Chapter 22: These Are My People: The Politics of Country Music; Jason Mellard; Chapter 23: Country Music and Fan Culture; Jonathan Wynn; Chapter 24: What’s International About International Country Music?: Country Music and National Identity around the World; Nathan D. Gibson; INDEX
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