Wild Sound

图书简介

This is the first study of U.S. composer Maryanne Amacher (1938-2009), an elusive and original figure in music composition, sound art, installation, and media aesthetics. Wild Sound animates her creative and speculative approaches to how sound can be heard: as a fictional narrative, as a long distance connection, as a music composed of tones that originate inside the listener’s inner ear.

Acknowledgments; List of Figures; List of Tables; CHAPTER ONE: I want to make a music; Introduction; Tenses and Moods of the Audible; Book Overview and Selected Works: 1965-1990; Amacher Among the Musicologies and Other Studies; Life in a Sound and its Figurations; Life in an Eartone and its Figurations; The Archive and The Title; Dear Parents: Desires and Plans, 1965; CHAPTER TWO: Adjacencies and its Negations; Introduction; A Tape and Untaken Pictures: Learning Adjacencies; How to Wish for Sound: Negative Notation; The Space Notebook: An Analysis in the Subjunctive; Life in a Frequency Spectrum and its Figurations; Here - (ish): Another Tape and City-Links, WBFO Buffalo, 1967; A Page From a Musical Composition: In City, 1967; Conclusion: Adjacencies and the Phone Block; CHAPTER THREE: Scenes from a Long Distance Music: City-Links 1973-1975:; Introduction; How to Glow in the Dark: 1970s Textual Experiments; Dirty Water and the Microphone at Pier 6, 1973; Tone at the Harbor and Three Long Distance Musics on Tape; Incoming Night, Blum at Pier 6, May 1975; Long Distance Music at the Center for Advanced Visual Studies: Anywhere City (1974); Telephones, Telepaths and Other Linkless Listenings: Presence (1975); Leased Lines and Direct Distance Dialing: Obsolescing City-Links (1989); Televisions and Mirrors: No More Miles - An Acoustic Twin (1974); Conclusion; CHAPTER FOUR: Eartones and Third Ears:; Introduction; Stereoscopic Cochlea and Live Space on Paper; Intervals and Interchanges in Head Rhythm

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Wild Sound（CRIT CONJUNCTURES MUSIC AND SOUND SERIES） 书法

Wild Sound（CRIT CONJUNCTURES MUSIC AND SOUND SERIES）
书法