图书简介

Introduction: Dance on Screen; Melissa Blanco Borelli; Screened Histories; 1. An Australian in Paris: techno-choreographic bohemianism in Moulin Rouge!; Clare Parfitt-Brown; 2. A Different Kind of Ballet: Rereading Dorothy Arzner’s Dance Girl Dance; Mary Simonson; 3. Communities of Practice: Active and Affective Viewing of Ballroom, the Charleston and the Twist on the Popular Screen; Alexandra Harlig; 4. Disciplining Black Swan, Animalizing Ambition; Ariel Osterweis; 5. Gene Kelly: The Original, Updated; Mary Fogarty; 6. Appreciation - Appropriation - Assimilation: Stormy Weather and the Hollywood History of Black Dance; Susie Trenka; 7. Impossible Moves: Early Hip Hop, B-Boying and Hollywood Production; Thomas DeFrantz; The Commercial Big Screen; 8. Dirty Dancing: Dance, Class, and Race in the Pursuit of Womanhood; Colleen Dunagan and Roxane Fenton; 9. Displace and Be Queen: Gender and Interculturalism in Dirty Dancing: Havana Nights (2004); Cindy Garcia; 10. It’s Sort of ’Members Only’: Transgression and Body Politics in Save the Last Dance; Inna Arzumanova; 11. The White Girl in the Middle: The Performativity of Race, Class, and Gender in Step Up 2: The Streets; Raquel Monroe; 12. Affect-ive Moves: Violence, Space, and the Body in RIZE’s krump dancing; Stephanie L. Batiste; 13. A Taste of Honey: Choreographing Mulatta in the Hollywood Dance Film; Melissa Blanco Borelli; 14. He’s doing his Superman thing again: Moving Bodies in The Matrix; Derek A. Burrill; The Music Video and Televisual Bodies; 15. Girl Power, Real Politics: Dis/Respectability, Post-Raciality and the Politics of Inclusion; Takiyah Nur Amin; 16. ’Sexiness’ in disguise: Dancing ’Chinese-American’ in Coco Lee’s Hip Hop Tonight (2006); Chih-Chieh Liu; 17. Single Ladies, Plural: Racism, Scandal and Authenticity within the Multiplication of Online Discourses; Philippa Thomas; 18. The Dance Factor: Hip Hop, Spectacle and Reality Television; Laura Robinson; 19. Dance, Creating Commodity: The Rhetoric of So You Think You Can Dance; Alexis A. Weisbrod; Screening Nationhood; 20. Hatchets and Hairbrushes: Dance, Gender, and Improvisational Ingenuity in Cold War Western Musicals; Kathaleen Boche; 21. Cuba: Understanding the Revolution through Dance(d) Scenes; Victor Fowler (translated by Tom Phillips); 22. Shine Your Light on the World: The Utopian Bodies of Dave Chappelle’s Block Party; Rosemary Candelario; 3. Snake Dances and Marriageable Daughters: Defining Self and Nation in Bride and Prejudice; Amita Nijhawan; Cyber Screens; 24. Monstrous Belonging: Performing ’Thriller’ After 9/11; Harmony Bench; 25. ’Dancing between the break beats’: contemporary urban Indigenous thought and cultural expression through hip-hop; Karyn Recollet; 26. Dancing With Myself: Dance Central, Choreography and Embodiment; Derek Burrill and Melissa Blanco Borelli; Conclusion; 27. Values in Motion: Reflections on Popular Screen Dance; Sherril Dodds

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