图书简介

Section 1: Grounding algorithmic music; 1. Musical Algorithms as Tools, Languages and Partners: A Perspective; Alex McLean, Roger T. Dean; 2. Algorithmic Music and the Philosophy of Time; Julian Rohrhuber; 3. Action and Perception: Embodying Algorithms and the Extended Mind; Palle Dahlstedt; 4. Origins of Algorithmic Thinking in Music; Nick Collins; 5. Algorithmic Thinking and Central Javanese Gamelan; Charles Matthews; Perspectives on Practice A; 6. Thoughts on Composing with Algorithms; Laurie Spiegel; 7. Mexico and India: Diversifying and Expanding the Live Coding Community; Alexandra Cardenas; 8. Deautomatization of Breakfast Perceptions; Renate Wieser; 9. Why Do We Want Our Computers to Improvise?; George Lewis; Section 2: What can algorithms in music do?; 10. Compositions Created with Constraint Programming; Torsten Anders; 11. Linking Sonic Aesthetics With Mathematical Theories; Andy Milne; 12. Machine Learning and Listening in Composition and Performance; Rebecca Fiebrink and Baptiste Caramiaux; 13. Biologically-Inspired and Agent-Based Algorithms for Music; Alice Eldridge and Oliver Bown; 14. Performing with Patterns of Time; Thor Magnusson, University of Sussex, Alex McLean, FoAM Kernow; 15. Computational Creativity and Live Algorithms; Geraint Wiggins and Jamie Forth; 16. Tensions and Techniques in Live Coding Performance; Charlie Roberts and Graham Wakefield; Perspectives on Practice B; 17. When Algorithms Meet Machines; Sarah Angliss; 18. Notes on Pattern Synthesis; Mark Fell; 19. Performing algorithms; Kristin Erickson; Section 3: Purposes of algorithms for the music maker; 20. Network music and the algorithmic ensemble; David Ogborn; 21. Sonification != music; Carla Scaletti; 22. Color is the Keyboard: Transcoding from Visual to Sonic; Margaret Schedel; 23. Designing Interfaces for Musical Algorithms; Jamie Bullock, Integra Lab, Birmingham Conservatoire; 24. Ecooperatic Music Game Theory; David Kanaga; 25. Algorithmic Spatialisation; Jan C Schacher; Perspectives on Practice C; 26. Form, Chaos and the Nuance of Beauty; Mileece I’Anson; 27. Beyond Me; Kaffe Matthews; 28. Mathematical Theory in Music Practice; Jan Beran; 29. Thoughts on Algorithmic Practice; Warren Burt; Section 4: Algorithmic Culture; 30. The Audience Reception of Algorithmic Music; Mary Simoni; 31. Technology, Creativity and The Social in Algorithmic Music; Christopher Haworth; 32. Algorithms and Computation in Music Education; Andrew Brown; 33. (Micro) Politics of Algorithmic Music: Towards a Tactical Media Archaeology; Geoff Cox and Morten Riis; 34. Algorithmic Music for Mass Consumption and Universal Production; Yuli Levtov; Perspectives on Practice D; 35. Algorithmic Trajectories; Alex McLean and Roger Dean

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