图书简介

Introduction. Improvising Dance: A Way of Going About Things; Vida L Midgelow; Section 1: Life worlds and Ethics ; 1. Life Practices; Ann Cooper Albright; 2. Ethico-aesthetic practice of improvising: relations through motion; Fiona Bannon; 3. Reflections on dance improvisation and its dynamic interrelationship with everyday movement; Libby Worth; 4. A Philosophy of the Improvisational Body; Sondra Fraleigh; 5. Chance encounters, Nietzschean philosophy and the question of improvisation Philipa Rothfield; 6. Moving in medias res: Towards a phenomenological hermeneutics of dance improvisation; Nigel Stewart; Section 2: Attunement and Perception; 7. I notice that I’m noticingEL; Sally Doughty; 8. Embodied Consciousness in Improvised Performance; Nalina Wait; 9. ’Mass may be the single most important sensation’: Perceptual Philosophies in Dance Improvisation; Malaka Sacro-Thomas; 10. Rethinking Improvisation from a Daoist perspective of Qi-energy; I-Ying Wu; 11. Exploring Uncertainties of Language in Dance Improvisation; Louise McDowall; Section 3: Habit, Freedom and Resistance; 12. Improvisation and Habit; Gary Peters; 13. Unpredictable Maneuvers: Eva Karczag’s Improvised Strategies for Thwarting Institutional Agendas; Doran George; 14. Movements of freedom: performing popular liberty in the early cancan; Claire Parfitt-Brown; 15. Valorizing Uncertainty: Chance, Totalitarianism and Soviet Ballet; Janice Ross; 16. The Emancipation of Improvisation; Larry Lavender; Section 4: Memory and Transmission; 17. Improvisation and Argentinean Tango: On playing with body memories; Susanne Ravn; 18. Dancing Life; Norah Zuniga Shaw; 19. What Remains; Robert Bingham & Stephanie Hanna; 20. Improvisational Practices in Jazz Dance Battles; Jane Carr and Irven Lewis; 21. Twelve Days in Tarbena: an evolutionary approach to moving through silence and sound to speech in Ruth Zaporah’s Action Theater training; Robert Vesty; 22. Intention and Surrender; Stephanie Skura; Section 5: Agency and Transformation; 23. Transcending Boundaries: Improvisation and disability in dance; Sarah Whatley; 24. Artful humanising conversations: Improvisation in Early Years dance; Kerry Chappell and Lizzie Swinford; 25. Instinctive Connections: Improvisation as a research methodology in health and care settings; Lisa Dowler; 26. Somatic Sensing and Creaturely Knowing in the University Improvisation Class; Ali East; 27. Improvising Happiness: Belly Dance’s Evolution through Improvisation; Barbara Sellers Young; Section 6: Interconnectivity, emergence and technologies; 28. Dancing the Interface: Improvisation in Zones of Virtual Exchange; Thomas DeFrantz; 29. Programmed Improvisation Inspied from Autonomous Humanoids; Amy LaVeirs; 30. Contact Improvisation and Embodied Social Cognition; April Flakne; 31. Modelling Improvisation as Emergence: A Critical Investigation of the Practice of Cognition; Colleen Dunagan, Roxane Fenton, and Evan Dorn; 32. Towards a cognitive theory of joint improvisation: The case of tango argentino; Micheal Kimmel; Section 7: Ecology and Environments; 33. Improvisation and the Earth: Dancing in the Moment as Ecological Practice; Tamara Ashley; 34. Dancing the Land: An Emerging Geopoetics; Melinda Buckwalter; 35. Scoring and Siting: Improvisatory Approaches to Site-Specific Dance; Victoria Hunter; 36. The Dancer, the Philosopher and the Tramp; Hilary Elliot; 37. Audience Improvisation and Immersive Experiences: the sensuous world of the body in the work of Lundahl & Seitl; Josephine Machon; Section 8: Techniques, Strategies and Histories; 38. Lost in the Footlights: The Secret Life of Improvisation in Contemporary American Concert Dance; Kent De Spain; 39. In the Moment: Improvisation in Traditional Dance; Anthony Shay; 40. Playing with the Beat: Choreomusical Improvisation in Rhythm Tap Dance; Allison Robbins & Christopher J. Wells; 41. Moving Sound: New Relationships between Contemporary Dance and Music in Improvisation; Anna Sanchez Colberg & Dimitris Karalis; 42. Mens Agilis Corpore Agili; Ivar Hagendoorn; 43. EmbodiologyRG: A Hybrid Neo-African Improvisation-as-Performance Practice distinguished by Dynamic Rhythm; Sheron Wray

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