图书简介

List of Contributors; Online Supplementary Material; Introduction; 1. Towards an Archaeology and Anthropology of Rock Art; Bruno David and Ian J. McNiven; Part I: Geographical and Historical Perspectives; 2. Interpretative Frameworks and the Study of the Rock Arts; Margaret W. Conkey; 3. North European Rock Art: A Long-term Perspective; Joakim Goldhahn; 4. The Rock Art of Sub-Scandinavian Europe; Olivia Rivero and Juan F. Ruiz; 5. The Archaeology of Rock Art in Northern Africa; Savino di Lernia; 6. The Rock Art of Sub-Saharan Africa; Jean-Loic Le Quellec; 7. Rock Art of Northern, Central, and Western Asia; Andrzej Rozwadowski; 8. The Rock Art of South and East Asia; Paul S.C. Tacon; 9. Australia?s Rock Art Heritage: A Thematic Approach to Assessing Scientific Value; Jo McDonald; 10. Rock Art of the Pacific: Context and Intertextuality; Meredith Wilson and Chris Ballard; 11. Rock Art of North America; David S. Whitley; 12. Rock Art in Central and South America: Social Settings and Regional Diversity; Andres Troncoso, Felipe Armstrong, and Mara Basile; Part II: Conceptual Approaches to Rock Art: Investigating Meaning; 13. Tracing Symbolic Behaviour across the Southern Arc; Natalie R. Franklin and Phillip J. Habgood; 14. Signalling Theory and Durable Symbolic Expression; Douglas W. Bird and Rebecca Bliege Bird; 15. The Psychology of Graphic Perception; Jan B. Deregowski; 16. European Palaeolithic Rock Art and Spatial Structures; Jean Clottes; 17. Art and Environment: How Can Rock Art Inform on Past Environments?; George Nash; 18. Images of Animals in Rock Art: Not Just ?Good to Think?; Iain Davidson; 19. Plants Before Animals? Aboriginal Rock Art as Evidence of Ecoscaping in Australia?s Kimberley; Sven Ouzman, Peter Veth, Cecilia Myers, Pauline Heaney, and Kevin Kenneally; 20. ?Enigmatic Images from Remote Prehistory?: Rock Art and Ontology from a European Perspective; Andrew Meirion Jones and Marta Diaz-Guardamino; 21. Rock Art, Music, and Acoustics: A Global Overview; Margarita Diaz-Andreu and Tommaso Mattioli; 22. The Production of Ethnographic Records and Their Use in Rock Art Research; Julien Monney and Leila Baracchini; 23. Rock Art and Ethnography in Australia; Liam M. Brady, Robert G. Gunn, Claire Smith, and Bruno David; 24. Rock Arts, Shamans, and Grand Theories; Anne Solomon; 25. A New Framework for Interpreting Contact Rock Art: Reassessing the Rock Art at Nackara Springs, South Australia; Claire Smith, Jordan Ralph, Kylie Lower, Jennifer McKinnon, Matthew Ebbs, and Vincent Copley Senior; 26. Creolization in the Investigation of Rock Art of the Colonial Era; Sam Challis; 27. Out of Time and Place: Graffiti and Rock Art Research; Ursula K. Frederick; 28. Memory, Materiality, and Place in Ojibway Rock Art Performances; Alex K. Ruuska; 29. Rock Art as Cultural Expressions of Social Relationships and Kinship; Liam M. Brady, John J. Bradley, and Amanda Kearney; 30. Bodies Revealed: X-ray Art in Western Arnhem Land; Luke Taylor; 31. Rock Art and Aesthetics; Thomas Heyd; Part III: Methods: Marks in Time and Place; 32. The Science of Rock Art Research; Guy Gibbon; 33. Recording Rock Art: Strategies, Challenges, and Embracing the Digital Revolution; Liam M. Brady, Jamie Hampson, and Ines Domingo Sanz; 34. GIS in Rock Art Studies; Michelle L. Wienhold and David W. Robinson; 35. 3-D Modelling in Rock Art Research: Terrestrial Laser Scanning, Photogrammetry, and the Time Factor; Stephane Jaillet, Jean-Jacques Delannoy, Julien Monney, and Benjamin Sadier; 36. Archaeomorphological Mapping: Rock Art and the Architecture of Place; Jean-Jacques Delannoy, Bruno David, Robert G. Gunn, Jean-Michel Geneste, and Stephane Jaillet; 37. Taphonomy on the Surface of the Rock Wall: Rock-Paint-Atmosphere Interactions; Emilie Chalmin, Stephane Hoerle, and Ina Reiche; 38. Characterizing Rock Art Pigments; Emilie Chalmin and Jillian Huntley; 39. The Use of Harris Matrices in Rock Art Research; Edward Harris and Robert G. Gunn; 40. Radiocardon Dating in Rock Art Research; Fiona Petchey; 41. Optical Dating of Rock Art; Richard G. Roberts; 42. Uranium-Thorium Dating of Cave Art; Alistair W.G. Pike; Part IV: The Public Consumption of Art: Applying and Managing Art in the Present; 43. Cultural and Intellectual Property Rights in Rock Art: A Case Study of Australian Indigenous Art; Stephen Gray; 44. The Conservation and Management of Rock Art: An Integrated Approach; Johannes Loubser; 45. Rock Art Tourism; Melanie Duval, Christophe Gauchon, and Benjamin Smith; 46. Past Images, Contemporary Practices: Re-use of Rock Art Images in Contemporary San Art of Southern Africa; Leila Baracchini and Julien Monney; 47. The Use and Re-use of Rock Art Designs in Contemporary Jewellery and Wearable Art; Lynette Russell and Myles Russell-Cook; 48. Visiting Gonjorong?s Cave; Valda Blundell and Woddordda Traditional Owners Donny Woolagoodja, Janet Oobagooma, and Leah Umbagai; Index $ https://global.oup.com/academic/product/9780190607357 $ Prehistoric archaeology; Archaeological science, methodology & techniques; History of art: pre-history

Trade Policy 买家须知