图书简介

Introduction: The Archaeomodern Turn; 1. The Old Medium of Film; 2. Film and History in the Late Twentieth Century; 3. The Baroque Present; 4. Museums for Time Machines; 5. Archaeomodern Images; 6. The Cinema of Painters; Part I: Theory and the Modern Past; Chapter One; The Hauntology of the Cinematic Image:; Walter Benjamin, Film Theory, and the Mourning Play; 1. Haunted Screens; 2. History, Allegory, and Mourning; 3. Specters of Cinema; 4. After Cinema; Chapter Two; Time?s Arrow, Time?s Bow: Gilles Deleuze in the Baroque Age of Cinema; 1. Deleuze and the Baroque; 2. Cinema Unfolds; 3. After Cinema; Chapter Three; Serge Daney, Zapper: Film, Television, and the Persistence of Media; 1. The Rearview Mirror; 2. An Adult Art; 3. Zapping the Cinema; Part II: The Cinema of Painters; Chapter Four; The Suspended Spectacle of History:; The Tableau Vivant in Late Twentieth-Century Cinema; 1. The Post-Historical Image; 2. A Painting Ruined; 3. Caravaggio?s Moving Pictures; Chapter Five; The Afterlife of Art and Objects: The Cinematic Still Life in the Late Twentieth Century; 1. The Object as Event; 2. Modernity and the Sacred Object: Alain Cavalier?s Therese; 3. Moving Pictures, Still Lives: On Terence Davies; Chapter Six; Caliban?s Books: Old and New Media in the Work of Peter Greenaway; 1. The Canonical Artifact in a Thatcherite Moment; 2. Prospero?s Library and the Unbound Book; 3. Illuminated Manuscripts; 4. A Nomadic Shakespeare and the Confines of Heritage; Chapter Seven; Old Haunts: Commemoration and Mourning in Agnes Varda?s Landscapes; 1. Unearthed; 2. Nature?s Studio; 3. Land and Escapes

Trade Policy 买家须知