图书简介
Questions about variation, similarity, enumeration, and classification of musical structures have long intrigued both musicians and mathematicians. Mathematical models can be found from theoretical analysis to actual composition or sound production. Increasingly in the last few decades, musical scholarship has incorporated modern mathematical content. One example is the application of methods from Algebraic Combinatorics, or Topology and Graph Theory, to the classification of different musical objects. However, these applications of mathematics in the understanding of music have also led to interesting open problems in mathematics itself.
The reach and depth of the contributions on mathematical music theory presented in this volume is significant. Each contribution is in a section within these subjects: (i) Algebraic and Combinatorial Approaches; (ii) Geometric, Topological, and Graph-Theoretical Approaches; and (iii) Distance and Similarity Measures in Music.
Key Features:
oIt includes the most prominent authors in the field
oIt gathers a gamut of the most recent work in the field, which is something very difficult to find in one volume
oIt will appeal to mathematicians, music theorists, and computer scientists. Within mathematics, it offers a variety of areas and techniques related to musical phenomena that cannot be found together in other volumes
Section I: Introduction; From Musical Chords to Twin Primes (Jack Douthett, David Clampitt and Norman Carey); Hypercubes and the Generalized Cohn Cycle (Jack Douthett, Peter Steinbach and Richard Hermann); Associahedra, Combinatorial Block Designs and Related Structures (Franck Jedrzejewski); Rhythmic and Melodic L-canons (Jeremy Kastine); The Fibonacci Sequence as Metric Suspension in Luigi Nono’s II Canto Sospeso (Jon Kochavi); One Note Samba: Navigating Notes and their Meanings within Modes and Exo-modes (Thomas Noll); Difference Sets and All-Directed-Interval Chords (Robert W Peck); Harmonious Opposition (Richard Plotkin); Section II: Orbifold Path Models for Voice Leading: Dealing with Doubling (James R Hughes); Remarks on \"The Geometry of Chords\" (Thomas A Ivey); Theoretical Physics and Category Theory as Tools for Analysis of Musical Performance and Composition (Maria Mannone); Intuitive Musical Homotopy (Aditya Sivakumar and Dmitri Tymoczko); Geometric Generalizations of the Tonnetz and their Relation to Fourier Phases Space (Jason Yust); Deterministic Geometries: A Technique for the Systematic Generation of Musical Elements in Composition (Brent A Milam); Section III: Flamenco Music and its Computational Study (Francisco Gómez); Examining Fixed and Relative Similarity Metrics through Jazz Melodies (David J Baker and Daniel Shanahan); In Search of Arcs of Prototypicality (Daniel Shanahan);
Trade Policy 买家须知
- 关于产品:
- ● 正版保障:本网站隶属于中国国际图书贸易集团公司,确保所有图书都是100%正版。
- ● 环保纸张:进口图书大多使用的都是环保轻型张,颜色偏黄,重量比较轻。
- ● 毛边版:即书翻页的地方,故意做成了参差不齐的样子,一般为精装版,更具收藏价值。
关于退换货:
- 由于预订产品的特殊性,采购订单正式发订后,买方不得无故取消全部或部分产品的订购。
- 由于进口图书的特殊性,发生以下情况的,请直接拒收货物,由快递返回:
- ● 外包装破损/发错货/少发货/图书外观破损/图书配件不全(例如:光盘等)
并请在工作日通过电话400-008-1110联系我们。
- 签收后,如发生以下情况,请在签收后的5个工作日内联系客服办理退换货:
- ● 缺页/错页/错印/脱线
关于发货时间:
- 一般情况下:
- ●【现货】 下单后48小时内由北京(库房)发出快递。
- ●【预订】【预售】下单后国外发货,到货时间预计5-8周左右,店铺默认中通快递,如需顺丰快递邮费到付。
- ● 需要开具发票的客户,发货时间可能在上述基础上再延后1-2个工作日(紧急发票需求,请联系010-68433105/3213);
- ● 如遇其他特殊原因,对发货时间有影响的,我们会第一时间在网站公告,敬请留意。
关于到货时间:
- 由于进口图书入境入库后,都是委托第三方快递发货,所以我们只能保证在规定时间内发出,但无法为您保证确切的到货时间。
- ● 主要城市一般2-4天
- ● 偏远地区一般4-7天
关于接听咨询电话的时间:
- 010-68433105/3213正常接听咨询电话的时间为:周一至周五上午8:30~下午5:00,周六、日及法定节假日休息,将无法接听来电,敬请谅解。
- 其它时间您也可以通过邮件联系我们:customer@readgo.cn,工作日会优先处理。
关于快递:
- ● 已付款订单:主要由中通、宅急送负责派送,订单进度查询请拨打010-68433105/3213。
本书暂无推荐
本书暂无推荐