Melancholy Emotion in Contemporary Cinema:A Spinozian Analysis of Film Experience(Routledge Advances in Film Studies)

当代电影中的忧郁情绪:斯宾诺莎电影体验分析

电影

售   价:
1424.00
发货周期:预计5-7周发货
作      者
出  版 社
出版时间
2018年12月27日
装      帧
精装
ISBN
9781138317741
复制
页      码
206
开      本
6 x 9
语      种
英文
综合评分
暂无评分
我 要 买
- +
库存 50 本
  • 图书详情
  • 目次
  • 买家须知
  • 书评(0)
  • 权威书评(0)
图书简介
This work outlines a new methodology for film analysis based on the radical materialist thought of Baruch Spinoza, re-evaluating contemporary cognitive media theory and philosophical theories on the emotional and intellectual aspects of film experience. Sticchi’s exploration ofSpinozian philosophy creates an experiential constructive model to blend the affective and intellectual aspects of cognition, and to combine it with different philosophical interpretations of film theory. Spinoza’s embodied philosophy rejected logical and ethical dualisms, and established a perfect parallelism between sensation and reason and provides the opportunity to address negative emotions and sad passions without referring exclusively to traditional notions such as catharsis or sublimation, and to put forth a practical/embodied notion of Film-Philosophy. This new analytical approach is tested on four case studies, films that challenge the viewer’s emotional engagement since they display situations of cosmic failure and depict controversial and damaged characters: A Serious Man (29); Melancholia (211); The Act of Killing (212) and Only Lovers Left Alive (213). This book is an important addition to the literature in Film Studies, particularly in Cognitive Film Theory and Philosophy of Film. Its affective and semantic analyses of film experience (studies of embodied conceptualisation), connecting Spinoza’s thought to the analysis of audiovisual media, will also be of interest to Philosophy scholars and in academic courses of film theory, film-philosophy and cognitive film studies.
本书暂无推荐
本书暂无推荐
看了又看
  • 上一个
  • 下一个