图书简介

Contents: Introduction. Part I Music and Politics in Late Nineteenth-Century France: ?Cette musique sans tradition?: Wagner?s Tannh?user and its French critics (2009); Visual pleasures - musical signs: dance at the Paris Op?ra (2005); Oscarine and R?ginette: a comic interlude in the French reception of Wagner (2007); Gendering the nations: the ideologies of French discourse on music (1870-1914) (2001); Disruptive histories: telling the story of modern music in France (2006). Part II Musical identities in the United States in the 1930s and ?40s: Aaron Copland, Nadia Boulanger, and the making of an ?American? composer (2006); ?Presenting a great truth?: William Grant Still?s Afro-American Symphony (1930) (2011); ?Dixie Carmen?: war, race, and identity in Oscar Hammerstein?s Carmen Jones (1943) (2010). Part III Gender Politics in Music: Rheinsirenen: Loreley and other Rhine maidens (2006); Creating Madame Landowska (2006); La Guerre en dentelles: women and the Prix de Rome in French cultural politics (1998); Composing as a Catholic: rereading Lili Boulanger?s vocal music (2006); Lili Boulanger?s La Princesse Maleine: a composer and her heroine as literary icons (1997). Index.

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