图书简介

Introduction Additional Comments on the Sixth Edition Acknowledgments CHAPTER ONE Production Philosophy The Production Process Importance of Goal, Objectives, and Audience Analysis Importance of Workflow Difference between Studio and Field Production Importance of Technology CHAPTER TWO Aesthetics in Media Production Importance of Aesthetics Criticism and Critics Cultural Differences Reality Summary CHAPTER THREE The Technology Connecting the Read World to the Digital World Limitations of Equipment Audio Signals Frequency Amplitude Measuring Audio Signals Compression Video Signals Changing Light into Electrons Scanning Systems, Formats, and Frame Rates Measuring Video Signals Video Compression CHAPTER FOUR The Equipment Equipment Development Cameras Camera Types Consumer Cameras \"Prosumer\" and Industrial Cameras DSLR Cameras Professional Broadcast Cameras Digital Cinema Cameras Specialized Digital Cameras Image Sensors and Optics CCD and CMOS Chips Optics Focal Length Focus Aperture Depth of Field Viewfinder and Camera Controls Viewfinder Camera Controls Bars/Gain Selector Color Temperature Control/Filter Selector White Balance Camera Supports Tripods and Body Mounts Cranes, Dollies, and Pedestals Handholding the Camera Digital Recording Recording Recorder Operation Audio Microphone Types Electronic Impedance Pickup Pattern Mounting Devices Non-microphone Audio Sources Which Audio Track to Use Connecting Equipment Cable Coiling Power Connectors and Plugs Audio Connectors Video Connectors Digital Connectors Lighting Properties of Light Light Intensity Hard vs Soft Light Color Temperature of Light Light Instruments: Floodlights Light Instruments: Focusing Spotlights Light Instruments: Fixed-Focus Controlling Light Power Sources Measuring Light Intensity Lighting Ratio Contrast Ratio CHAPTER FIVE The Production Process: Preproduction Preliminary Forms The Proposal The Treatment Legal Considerations Script Formats Scene Script Shooting Script Script Formats Single Column Format Dual Column Format Organizing Forms Storyboards Location Scouting Sire Survey Organizing Equipment and Crew CHAPTER SIX The Production Process: Production Setting Up Field Equipment Considerations Camera Setup Audio Preparation Prompting Devices Sets and Properties Lighting Preparation Controlling Color Temperature Controlling Light Intensity Contrast Range Basic Three-Point Lighting Backlight Key Light Fill Light Kicker ad Set Lights Multiple or Moving Subjects Creative Lighting Mood Lighting Lighting for Time, Date, and Location Directing and Rehearsing Directing Talent Rehearsal Shooting Shooting and Faming Standard Shot Names Framing Principles Aspect Ratio Critical Area Lead Room or Edge Attraction The Rule of Thirds Creating Movement Subject Movement Camera Movement Movement through Zooms Z-Axis Movement Graphic Force Movement The Third Movement: Editing Shoot to Edit Continuity of Action Continuity of Direction Continuity of Location Cover Shots In-Camera Effects Iris Fades Roll or Rack Focus Swish Pans and Zooms Reversing Polarity Digital in-Camera Effects Logging and Striking Striking CHAPTER SEVEN The Production Process: Postproduction The Soul of Production The Mind of an Editor: Equipment, Technique, and Aesthetics Editing Workflow and Interface Process Background Nonlinear Film Linear Electronic Digital Nonlinear Editing Equipment and Interface Hardware Software Accessories Technical Choices and Editing Workflow Choices and Decisions Operational Interface Editing Workflow Basic Editing Transitions Titles Adding audio Rendering Aesthetics od Editing Finishing, Output and Distribution Finishing Workflow Output Process Destination Choices CHAPTER EIGHT Your Future Introduction Internship Resume Writing Composing a Cover Letter The Portfolio The Interview Summary FURTHER READING GLOSSARY INDEX

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