图书简介

Table of Contents Preface Acknowledgements 1. Introduction Purpose Sound Definition Sound’s Abilities Sound Supervisor Contracts, Agreements & Licenses 2. Location Sound: How Was That for Sound? Common Mistakes Single System Double System Time Code Smart Slate Boom & Lavaliere Wired & Wireless Wide Shots & Close Ups Two-plus Camera Setup Exercise Sample Sound Report Form 3. Sound Design Defined Introduction Movie Examples Recording Creating Editing & Processing Mixing Exercises 4. Dialogue Editing: It’s Work, not Magic Introduction Picture Lock Collect Materials File Management The Process Cleaning Smoothing Editing Split Tracks Room Tone Fixing Issues Processing Exercise 5. ADR: What Did They Say? Introduction Spotting Microphones Working with Actors Production ADR Recording Post-Production ADR Recording Editing Exercise ADR Cue Sheet Form 6. Walla/Group /Loop Group/Group ADR/Rhubarb: Why Aren?t They Saying Anything? Introduction Group Leaders Research and Scripting Walla Specifics Callouts Efforts Screams Performing Recording Editing Resources Exercise 7. Narration: It Isn?t Dialogue Introduction Purposes Pre-Production Recording Editing Processing Exercise 8. Sound Effects: Creating a Reality Sound Effect Functions Types of Sound Effects The Grey Area (Foley & SFX) Production Sound Effects Location Sound Effects Custom Recorded Sound Effects Foley Sound Effects Library Sound Effects Spotting Creating Recording Editing Processing Exercise 9. Foley: Who or What is Foley? Foley History Overview Spotting & Cueing Synchronized Recording Microphones Performance Moves or Cloth Specifics or Props Pats & Grabs Footsteps Libraries Editing Sound Effect Resources Exercise 10. Backgrounds: What’s an Ambience, Atmosphere or Background? Introduction Spotting Production Sound Room Tone Recording Library Editing Layering Processing Exercise 11. Musical Score: In The Mood? Introduction Making Notes Spotting Session Cues Hits or Hit Points Tempo Map Click Tracks & Guide Tracks Temp Scores Music Software Scoring Titles, Montage & Credits Composing, Arranging, Orchestrating & Instrumentation Theme & Motif Recording Performance (Tracking) Digital Music GarageBand Song Score, Pop Music & Source Music Cue Packages Bands Musicals Library Music: Hard Drives, CD’s, Download, etc. Editing Stems Mixing Deliverables Exercise 12. Mixing Myself Preparation Introduction Preparing Your Mixing Room Reference Level Room Monitor Calibration NLE or DAW Mixing In-the-Box Myself Session Setup Stereo, LCR or Surround? 13. Pre-Mixing or Pre-Dubbing & DSP Introduction Mixing Preparation Track Layout Virtual Mixing Mix Tools Levels Gain Staging Fades Panning Equalization Compression Normalizing Noise Gate Expansion Exciter De-Esser Noise Reduction Reverberation & Delays De-Verberation Effects & Filters Limiter Pre-Mixing Buses, Auxes, Sends & Returns VCA Faders Master Fader Metering Two Pops & Tail Pops Dialogue & ADR PreMix Foley PreMix Sound Effects PreMix Design Effects PreMix Backgrounds PreMix Music PreMix Temp Mix 14. Mixing Myself Introduction Set-Up Getting Started Dialogue First ADR Sound Effects Ambiences Foley Music Stems & DME Master Output Quick & Dirty Mix 15. Studio Mix Introduction Mixer Interview Mix Preparation PreMixes Stems Mixing Run Through Dialogue Mixing Sound Effects Mixing Foley Mixing Ambience Mixing Music Mixing 16. Deliverables Introduction Film DCP DVD/Blu-Ray Streaming Broadcast Television Marketing Archiving 17. Summary Clean Production Create Sound Design Mixing Conclusion Internet Resources Glossary Bibliography

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