图书简介

Table of Contents; I. Towards Multiple Theories of Music Revival; 1. An Introduction to Music Revival as Concept, Cultural Process, and Medium of Change; Juniper Hill and Caroline Bithell; 2. Traditional Music, Heritage Music; Owe Ronstrom; 3. An Expanded Theory for Revivals as Cosmopolitan Participatory Musicmaking; Tamara Livingston; II. Scholars and Collectors as Revival Agents; 4. Antiquarian Nostalgia and the Institutionalization of Early Music; John Haines; 5. A Folklorist’s Exploration of the Revival Metaphor; Neil V. Rosenberg; 6. A Participant-Documentarian in the American Instrumental Folk Music Revival; Alan Jabbour; III. Intangible Cultural Heritage, Preservation, and Policy; 7. Reviving Korean Identity through Intangible Cultural Heritage; Keith Howard; 8. Music Revival, Ca Tru Ontologies and Intangible Cultural Heritage in Vietnam; Barley Norton; 9. The Hungarian Dance House Movement and Revival of Transylvanian String Band Music; Colin Quigley; IV. National Renaissance and Postcolonial Futures; 10. National Purity and Postcolonial Hybridity in India’s Kathak Dance Revival; Margaret Walker; 11. Choreographic Revival, Elite Nationalism and Regional Appropriation in Senegambia, 1930-2010; Helene Neveu Kringelbach; 12. Revived Musical Practices within Uzbekistan’s Evolving National Project; Tanya Merchant; 13. Two Revivalist Moments in Iranian Classical Music; Laudan Nooshin; 14. Reclaiming Choctaw and Chickasaw Cultural Identity through Music Revival; Victoria Levine; V. Recovery from War, Disaster, and Cultural Devastation; 15. Revivalist Articulations of Traditional Music in War and Post-War Croatia; Naila Ceribasi?; 16. Cultural Rescue and Musical Revival among the Nicaraguan Garifuna; Annemarie Gallaugher; 17. Toward a Methodology for Research into the Revival of Musical Life after War, Natural Disaster, Bans on all Music, or Neglect; Margaret Kartomi; VI. Innovations and Transformations; 18. Innovation and Cultural Activism through the Re-imagined Pasts of Finnish Music Revivals; Juniper Hill; 19. Revival Currents and Innovation on the Path from Protest Bossa to Tropicalia; Denise Milstein; 20. Bending or Breaking the Native American Flute Tradition?; Paula Conlon; 21. Towards an Application of Globalization Paradigms to Modern Folk Music Revivals; Britta Sweers; VII. Festivals, Marketing, and Media; 22. Contemporary English Folk Music and the Folk Industry; Simon Keegan-Phipps and Trish Winter; 23. Ivana Kupala (St. John’s Eve) Revivals as Metaphors of Sexual Morality, Fertility, and Contemporary Ukrainian Femininity; Adriana Helbig; 24. Trailing Images and Culture Branding in Post-Renaissance Hawai’i; Jane Freeman Moulin; 25. Grassroots Revitalization of North American and Western European Instrumental Music Traditions from Fiddlers Associations to Cyberspace; Richard Blaustein; VIII. Diaspora and the Global Village; 26. Georgian Polyphony and its Journeys from National Revival to Global Heritage; Caroline Bithell; 27. Irish Music Revivals Through Generations of Diaspora; Sean Williams; 28. Reviving the Reluctant Art of Iranian Dance in Iran and in the American Diaspora; Anthony Shay; 29. Musical Remembrance, Exile, and the Remaking of South African Jazz (1960-1979); Carol Ann Muller; Afterword; 30. Re-flections; Mark Slobin

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