图书简介

Contributors; List of Figures; Introduction: New Keys to the World of Sound - Trevor Pinch and Karin Bijsterveld; SECTION I: REWORKING MACHINE SOUND: SHOP FLOOR & TEST SITES; 1. The Garden in the Machine: Listening to Early American Industrialization - Mark M. Smith; 2. Turning a Deaf Ear? Industrial Noise and Noise Control in Germany since the 1920s - Hans-Joachim Braun; 3. Sobbing, whining, rumbling: Listening to Automobiles as Social Practice - Stefan Krebs; 4. Selling Sound: Testing, Designing, and Marketing Sound in the European Car Industry - Eefje Cleophas and Karin Bijsterveld; SECTION II: STAGING SOUND FOR SCIENCE AND ART: THE FIELD; 5. Sound Sterile: Making Scientific Field Recordings in Ornithology - Joeri Bruyninckx; 6. Underwater Music: Tuning Composition to the Sounds of Science - Stefan Helmreich; 7. A Grey Box: The Phonograph in Laboratory Experiments and Field Work, 1900-1920 - Julia Kursell; SECTION III. STAGING SOUND FOR SCIENCE AND ART: THE LAB; 8. From Scientific Instruments to Musical Instruments: The Tuning Fork, Metronome, and Siren - Myles W. Jackson; 9. Conversions: Sound and Sight, Military and Civilian - Cyrus Mody; 10. The Search for the ’Killer Application’: Drawing the Boundaries Around the Sonification of Scientific Data - Alexandra Supper; SECTION IV: SPEAKING FOR THE BODY: THE CLINIC; 11. Inner and Outer Sancta: Ear Plugs and Hospitals - Hillel Schwartz; 12. Sounding Bodies: Medical Studies and the Acquisition of Stethoscopic Perspectives - Tom Rice; 13. Do Signals Have Politics? Inscribing Abilities in Cochlear Implants - Mara Mills; SECTION V: EDITING SOUND: THE DESIGN STUDIO; 14. Sound and Player Immersion in Digital Games - Mark Grimshaw; 15. The Sonic Playpen: Sound Design and Technology in Pixar’s Animated Shorts - William Whittington; 16. The Avant-garde in the Family Room: American Advertising and the Domestication of Electronic Music in the 1960s and 1970s - Timothy Taylor; SECTION VI: CONSUMING SOUND AND MUSIC: THE HOME AND BEYOND; 17. Visibly Audible: The Radio Dial as Mediating Interface - Andreas Fickers; 18. From Listening to Distribution: Non-official Music Practices in Hungary and Czechoslovakia from the 1960s to the 1980s - Trever Hagen with Tia DeNora; 19.The Amateur in the Age of Mechanical Music - Mark Katz; 20. Online Music Sites as Sonic Sociotechnical Communities: Identity, Reputation, and Technology at ACIDplanet.com - Trevor Pinch and Katherine Athanasiades; SECTION VII: MOVING SOUND AND MUSIC: DIGITAL STORAGE; 21. Analog turns Digital: Hip-hop, Technology, and the Maintenance of Racial Authenticity - Ray Fouche; 22. iPod Culture: The Toxic Pleasures of Audiotopia - Michael Bull; 23. The Recording that Never Wanted to be Heard, and Other Stories of Sonification - Jonathan Sterne and Mitchell Akiyama; Index

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