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I. Translation and Metaphor; 1: The Scope of Translation; 2: Translating Within and Between Languages; 3: Translation and Paraphrase; 4: Translating the Language of Literature; 5: Words for Translation; 6: Metaphors for Translation; 7: The Roots of Translatorly Metaphors; II. Translation as ’Interpretation,’ as ’Paraphrase,’ and as ’Opening’; 8: Are translations interpretations? Gadamer, Lowell and some contemporary poem-translations; 9: Interpretation and ’Opening:’ Dryden, Chapman, and early translations from the Bible; 10: ’Paraphrase’ from Erasmus to ’Venus T----d’; 11: Dryden, Behn and what is ’secretly in the poet’; 12: Dryden’s Aeneis: ’a thousand secret beauties’; 13: Dryden’s Dido: ’somewhat I find within’; III. Translation as ’Friendship,’ as ’Desire,’ and as ’Passion’; 14: Translating an Author: Denham, Katherine Philips, Dryden, Cowper; 15: The Author as Intimate: Roscommon, Philips, Pope, Francklin, Lucretius, Dryden, FitzGerald, Untermeyer; 16: Erotic Translation: Theocritus, Dryden, Ovid, Richard Duke, Tasso, Fairfax, Petrarch, Charlotte Smith, Sappho, Swinburne; 17: Love again: Sappho, Addison, Ambrose Philips, Dryden, Petrarch, Chaucer, Wyatt, Tasso, Fairfax, Ariosto, Harington, Byron; 18: Byron’s Adulterous Fidelity; 19: Pope’s Iliad: The Hurry of Passion; IV. Translation and the Landscape of the Past; 20: Pope’s Iliad: a ’comprehensive View’; 21: Some perspectives after Pope: Keats, Tennyson, Browning, Pound, Michael Longley; 22: Epic Zoom: Christopher Logue’s Homer (with Anne Carson’s Stesichorus and Seamus Heaney’s Beowulf); V. Translation as ’Loss,’ as ’Death,’ as ’Resurrection,’ and as ’Metamorphosis’; 23: Ezra Pound: ’My job was to bring a dead man to life’; 24: FitzGerald’s Rub醝y醫: ’a Thing must live’; 25: The Metamorphoses of Arthur Golding (which lead to some Conclusions)

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