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List of Tables and Figures; Preface; List of Abbreviations; Introduction: The Horizon of Media Studies, Ravi Sundaram; PART ONE: MAPPING THE TERRAIN; 1. The ’Bollywoodization’ of the Indian Cinema: Cultural Nationalism in a Global Arena The ’Bollywoodization’ of the Indian Cinema: Cultural Nationalism in a Global Arena; Afterword: The Bollywoodization Argument-Ten Years On, Ashish Rajadhyaksha; 2. Sensuous Encounters: Law, Affect, and the Media Event, Lawrence Liang; 3. The Inner and Outer Worlds of Emergent Television Cultures, Shohini Ghosh; PART TWO: CIRCULATION; 4. Mission, Money, and Machinery: Indian Newspapers in the Twentieth Century, Robin Jeffrey; 5. Revisiting the Pirate Kingdom, Ravi Sundaram; 6. Figures of Transit: Tracing a Century of Hollywood in India, Nitin Govil; PART THREE: PUBLICS; 7. Creating Cinema’s Reading Publics: The Emergence of Film Journalism in Bombay, Debashree Mukherjee; 8. Notes on Contemporary Film Experience: ’Bollywood’, Genre Diversity, and Video Circuits, Ravi S. Vasudevan; 9. Whistling Fans: Reflections on the Sociology, Politics, and Performativity of an Excessively Active Audience, S.V. Srinivas; 10. Unimaginable Communities: Television, Globalization, and National Identities in Postcolonial India, Shanti Kumar; 11. The Imagined Reign of the Iron Lecturer: Village Broadcast in Colonial India, Joselyn Zivin; 12. The ’Terrorist’ and the Screen: Afterimages of the Batla House ’Encounter’, Shuddhabrata Sengupta; PART FOUR: PRODUCTION; 13. The Gramophone Company in India, 1898-1912: The Evolution of an Early Media Enterprise, Vibodh Parthasarthy; 14. Democratizing Indian Popular Music: From Cassette Culture to the Digital Era, Peter Manuel; 15. Film Stardom after Liveness, Ranjani Mazumdar; Notes on Contributors; Index

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