The Guitar and Its Music:From the Renaissance to the Classical Era

图书简介

Following James Tyler’s earlier introduction to the history, repertory, and playing techniques of the four- and five-course guitar ( The Early Guitar, OUP 1980), which performers and scholars of Renaissance and Baroque guitar and lute music and classical guitarists found valuable and enlightening, this new book, written in collaboration with Paul Sparks and incorporating the latest ideas and research, is an authoritative guide to the history and repertory of the guitar from the Renaissance to the dawn of the Classical era.

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Princeton University Library

Dedication; Preface; List of Illustrations; List of Tables; List of Musical Examples; List of Abbreviations; Acknowledgements; Part I: The Guitar in the Sixteenth CenturyJames Tyler: ; 1.: Spain: La Guitarra de quatro ordenes; 2.: France: The Creation of the Repertory; 3.: England: ’... yused of gentilmen, and of the best sort ...’; 4.: Italy: La Chitarra da sette corde; 5.: Italy: The Role of the Guitar in the Rise of Monody; Part II: The Spanish Guitar ( c.1600- c.1750)James Tyler: ; 6.: Italy: The Creation of the Repertory; 7.: France: Les Guitarristes Royals; 8.: 1. England; 2. The Low Countries; 3. Scandinavia; 4. Germany and the Austrian Empire; 9.: Spain, Portugal, and the New World; Appendix I. A Brief Guide to Reading and Interpreting Baroque Guitar Tablatures; Appendix II. Sources of Specific Information on the Tuning and Stringing of the Five-course Guitar; Appendix III. The Mandora; Part III: The Origins of the Classical GuitarPaul Sparks: ; 10.: 1750-69: The Emergence of the Six-Course Guitar; 1. Spain, Portugal, and South America; 2. France; 3. Britain; 11.: 1770-89: The First Six-String Guitars; 1. A Short History of String Making; 2. Spain, South America, and Portugal; 3. Italy; 4. France; 5. England. Germany, and Austria; 12.: 1790 to the Early 1800s: The Triumph of the Six-String Guitar; 1. Spain and Portugal; 2. Britain; 3. Italy; 4. France; 5. Germany, Austria, and Elsewhere; 13.: The Guitar 1750- c.1800: Practical Information; 1. The Instrument; 2. Strings; 3. Playing Positions; 4. Specialist Techniques and Ornamentation; Appendix IV: Primary Sources (1750- c. 1800); 1.: Paris - Instrumental Music (Published); 2.: Paris - Songs with Guitar Accompaniment (Published); 3.: Guitar Methods (Published and Manuscript); 4.: Non-Parisian Guitar Music (Published and Manuscript); Appendix V: Pieces for Guitar ( c.1750- c.!800); Bibliography of Secondary Sources; Index

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The Guitar and Its Music:From the Renaissance to the Classical Era（Early Music Series） 音乐

The Guitar and Its Music:From the Renaissance to the Classical Era（Early Music Series）
音乐