Global Art Cinema:New Theories and Histories

图书简介

A collection of new essays on films from a range of geopolitical locations, Global Art Cinema reassesses the field of art cinema in light of 1) a flourishing international cinema and 2) growing scholarly interest in the category of art cinema and developments within world film culture. The editors have assembled a stimulating group of essays that cover the major issues in global art cinema, including the trend toward both increasing local autonomy and increasing globalization; new theorizations of the film image; revised industrial, legal, and exhibition histories; and the renewed debates about national, postcolonial, and regional cinema cultures. The book brings together a diverse group of authors, including reigning authorities and rising stars, in a timely conversation that reaffirms the study of art cinema as a relevant, provocative, and even fundamental undertaking.

Foreword; Dudley Andrew; Introduction; The Impurity of Art Cinema; Rosalind Galt and Karl Schoonover; 1. Delimiting the Field; Beyond Europe: A Parametric Tradition?; Mark Betz; The Fantastic Trajectory of Pink Art Cinema From Stalin to Bush; Sharon Hayashi; Towards an Inclusive, Exclusive Approach to Art Cinema; David Andrews; Unthinking Heterocentrism: Bisexual Representability in Art Cinema; Maria San Filippo; Interactive Art Cinema: Between Old and New Media with Un Chien andalou and eXistenZ; Adam Lowenstein; 2. The Art Cinema Image; Art/Cinema and Cosmopolitanism Today; Brian Price; Between Auditorium and Gallery: Perception in Apichatpong Weerasethakul’s Films and Installations; Jihoon Kim; Pasolini’s Exquisite Flowers: The ’Cinema of Poetry’ as a Theory of Art Cinema; John David Rhodes; From Index to Figure in the European Art Film: The Case of The Conformist; Angelo Restivo; Surrealism in Art and Film: Face and Time; Angela Dalle Vacche; 3. Art Cinema Histories; The Volcano and the Barren Hill: Gabriel Figueroa and the Space of Art Cinema; Patrick Keating; The Essay Film as a Cinema of Ideas; Timothy Corrigan; The Cloud-Capped Star: Ritwik Ghatak on the Horizon of Global Art Cinema; Manishita Dass; Notes on Art Cinema and the Emergence of Sub-Saharan Film; Philip Rosen; Disentangling the International Festival Circuit: Genre and Iranian Cinema; Azadeh Farahmand; 4. Geopolitical Intersections; European Art Cinema, Affect, and Post-colonialism: Herzog, Denis, and the Dardenne Brothers; E. Ann Kaplan; Offering Tales They Want to Hear: Transnational European Film Funding as Neo-Orientalism; Randall Halle; Abderrahmane Sissako: Second and Third Cinema in the First Person; Rachel Gabara; Tsai Ming-liang’s Haunted Movie Theater; Jean Ma; Traveling Theory, Shots, and Players: Jorge Sanjines, New Latin American Cinema, and the European Art Film; Dennis Hanlon; Critical Bibliography; Notes on the Contributors

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Global Art Cinema:New Theories and Histories 全球艺术电影院：新理论和历史 电影

Global Art Cinema:New Theories and Histories

全球艺术电影院：新理论和历史
电影