图书简介

Where Things Stand Now (Richard Taruskin); The Performer’s Voice and ’His Dualistic Soul’: Hindemith Reconsidered (Stephen Emmerson); What Underwrites the Performer’s Voice? A Bakhtinian Perspective (Anthony Gritten); The port de voix in Louis Couperin’s Unmeasured Preludes: A Study of Types, Functions and Interpretation (David Chung); Explorations around Bass Parts and Key Schemes: Recording the Cantatas of Alessandro Scarlatti (Rosalind Halton); Marimba Plays Early Music: An Approach Informed by Historical Performance Practice (Tomoyo Ueda); A Philosophy of the Performer’s Voice and Its Performance in Works by Mozart and Stravinsky (Anne Marshman); The Literary Song Recital with Special Reference to Maud (Michael Halliwell); ’On the String in the Peasant Style’: Performance Style in Early Recordings of Béla Bartók’s Romanian Folk Dances (Joshua Walden); The Lowly Voice: The Singapore Bassist Voice (Greg Petersen and Tony Makarome); From Fortepiano to Modern Piano: A Case Study of a Performer-Composer Collaboration (Helena Marinho and Sara Carvalho); Kung Fu Fan Turns Master: Eagle Claw Wu Tsiao Chen Wins (Aiyun Huang and Sean Griffin).

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