Embodied Voices:Representing Female Vocality in Western Culture

图书简介

Embodied Voices explores cultural manifestations of female vocality in the light of theories of subjectivity, the body, and sexual difference and through a wide spectrum of discourses, including literature, music and film.

Introduction; Part I. Vocality, Textuality, and the Silencing of the Female Voice: 1. The Gorgon and the nightingale: the voice of female lament and Pindar?s Twelfth Pythian Ode; 2. Music and the maternal voice in Purgatorio XIX; 3. Ophelia?s songs in Hamlet: music, madness and the feminine; 4. Wordsworth and Romantic voice: the poet?s song and the prostitute?s cry; Part II. Anxieties of Audition: 5. ?No women are indeed?: the boy actor as vocal seductress in late sixteenth- and early seventeenth-century drama; 6. Deriding the voice of Jeanette MacDonald: notes on psychoanalysis and the American film musical; 7. Adorno and the Sirens: tele-phono-graphic bodies; Part III. Women Artists: Vocality and Cultural Authority: 8. The diva doesn?t die: George Eliot?s Armgart; 9. Rewriting Ophelia: fluidity, madness, and the voice in Louise Colet?s La Servante; 10. Staring the camera down: direct address and women?s voices; 11. The voice of lament: female vocality and performative efficacy in the Finnish-Karelian itkuvirsi; Part IV. Maternal Voices: 12. The lyrical dimensions of spirituality: music, voice, and language in the novels of Toni Morrison; 13. Red hot mamas: Bessie Smith, Sophie Tucker, and the ethnic maternal voice in American popular song; 14. Maternalism and the material girl Nancy J. Vickers.

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Embodied Voices:Representing Female Vocality in Western Culture（New Perspectives in Music History and Criticism） 音乐

Embodied Voices:Representing Female Vocality in Western Culture（New Perspectives in Music History and Criticism）
音乐