图书简介

Labyrinth: From Literature to Algorithms (José Félix Costa and Paula Gouveia); Computational Nonuniversality: Philosophical and Artistic Perspectives (Selim G Akl); Natural Computation of Cognition, from Single Cells Up (Dodig Crnkovic); Are There Traces of Megacomputing in Our Universe (Olga Kosheleva and Vladik Kreinovich); On Communication, Information, Energy and Music (Dawid Przyczyna, Marcin Strzelecki, Gisya Abdi, Lulu Alluhaibi, Kapela Pilaka, Konrad Szaci lowski); Swarms of Microscopic Agents Self-assemble into Complex Bodies (Bruce MacLennan); Kakiwari: The Device Summoning Creativity in Art and Cognition (Yukio Pegio Gunji1 and Kyoko Nakamura); What Universal Turing Machines Might Tell Us (Maurice Margenstern); A Computable Piece of Uncomputable Art whose Expansion May Explain the Universe in Software Space (Hector Zenil); Brain-Inspired Computing: Achievements and Challenges (Filippo Romani and Victor Erokhin); Novel Reversible Logic Elements for Unconventional Computing (Kenichi Morita); Logic, Stress, and Satisfaction (Andrew Schumann); Mu-Psi and Music Space:Insights into a 21st Century Music Practice (Cristian Vogel); In Search of Textile Roots of Computing the Genesis of the First MaSo Carpet in India (Tim Otto Roth); Unconventional Sensing: Doing It Unusual Way in Unusual Settings (Zoran Konkoli); Unconventional Computing Art in Cellular Automata (Genaro J Martínez, Andrew Adamatzky, Marcin J Schroeder); Extended ’Beehive’ Rule Cellular Automaton Dynamics on Lattices with Topological Irregularities (Phil Ayres); The Benefits of Being Wrong. Bonding Epistemic and Cognitive Incompletness for Natural and Artificial Intelligent Systems (Jordi Vallverd’u); On Formal Language of Abstract Art (Vladimir Murtazin); Conventional Non-computing and Unconventional Musical Signal Processing (Zlatko Baracskai); Exploring Chaos with Analog Computers (Bernd Ulmann); A Natural History of Networks: Softmachine (Ralf Baecker); Artists Encoding New Meanings through BioArt and Unconventional Computing (Hege Tapio, Kristin Bergaust, Boel Christensen-Scheel, Stefano Nichele); Le Vignoble Cosmique (Alessandro Chiolerio); Feral Automated System: Prototyping (Nikita M Sazonov, Ippolit V Markelov, Ekaterina B Nikitina, Dmitriy A Lobanov, Natalia V Alatortseva, Dmitriy E Kadyrov); Fungal Grey Matter (Andrew Adamatzky, Irina Petrova, Antoni Gandia); The Chemical Machine (Preety Anand and GraceChung); Collapsing the Wave Function on Postquantum Unconventional Computing (Richard Mayne); Computing with Tactile and its Application for Arts (Yasuhiro Suzuki); Complex Excitable Media: Activator Designs, While Inhibitors Embellish (Sergio Alonso Muñoz); Designing Microchemical systems like Living Matters Induced by Interfacial phenomena (Daigo Yamamoto, Erika Okita-Nawa, Akihisa Shioi); Chemical Composition (Sarah Sebastian)

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