Perspectives on Contemporary Music Theory

图书简介

Kevin Korsyn is a renowned music theorist, musicologist, and pedagogue who has taught at the University of Michigan since 1992. He has published widely and influentially in areas as diverse as Beethoven and Brahms studies, chromatic tonality, disciplinarity and metatheory, history of theory, musical meaning and hermeneutics, poststructuralism (deconstruction, intertextuality, etc.), and Schenkerian theory and analysis. Because of the scope and caliber of his published work, and also his legacy as a pedagogue, Korsyn has had a profound impact on the field of music theory, along with the related fields of historical musicology and aesthetics.This book, a festschrift for Korsyn, comprises essays that constellate around his numerous scholarly foci. Represented in the volume are not only familiar music-theoretical topics such as chromaticism, form, Schenker, and text-music relations, but also various interdisciplinary topics such as deconstruction, disability studies, German Idealism, posthumanism, and psychoanalysis. The book thus reflects the increasingly multifaceted intellectual landscape of contemporary music theory.

Introduction Bryan Parkhurst and Jeffrey Swinkin An Interview with Kevin Korsyn Part I. CLOSE READING AND THE PROBLEMATICS OF ANALYSIS Chapter 1. Extraordinary Measures: Disability and Metrical Conflict in Schubert’s "Der blinde Knabe" Harald Krebs Chapter 2. Rethinking Self-Referentiality in Schubert’s Setting of Platen’s "Die Liebe hat gelogen," D. 751 (op. 23, no. 1) René Rusch Chapter 3. The E-flat/B Complex in Nineteenth-Century Music and its Hermeneutic Dimensions Jeffrey Swinkin and Hayley Grigg Part II. COMPOSITIONAL CONSTRAINTS AND COMPOSITIONAL PROCESS Chapter 4. Take It Away: How Shortened and Missing Sections Energize Rondo Forms Alan Gosman Chapter 5. “All- Comprehending” Invertible Counterpoint: Bach’s Fugue in G minor from Book 2 of The Well- Tempered Clavier Eric Wen Part III. MUSIC AND INTERDISCIPLINARITY Chapter 6. Chopin’s Preludes, Creatures of Prometheus, and the Posthuman Michael L. Klein Chapter 7. Walter Riezler on the Unity of the Arts: Unsiloing Art and Music in the Weimar Era Elizabeth Sears Chapter 8. Completing the Triad: Schenker and Kantian Practical Philosophy Bryan Parkhurst Chapter 9. Leni Riefenstahl’s "Ballet" Olympia Patricia Hall

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Perspectives on Contemporary Music Theory（Routledge Research in Music） 当代音乐理论展望：凯文·科尔辛纪念文集 音乐

Perspectives on Contemporary Music Theory（Routledge Research in Music）

当代音乐理论展望：凯文·科尔辛纪念文集
音乐