图书简介
This volume explores performances of Greek tragedies in Germany since 1800 as responses to particular political, social, and cultural milestones, shedding light on how, in a constantly changing political and cultural climate, they influenced the evolving cultural identity of the educated middle class over that period.
Frontmatter; List of Illustrations; Preface; 0 Introduction: Philhellenism and Theatromania; 1 Only With Beauty Man Shall Play: Goethe’s Production of Ion in Weimar (1802); 2 After the Institutionalization of Bildung: The Potsdam Antigone of 1841; 3 Wagner’s Gesamtkunstwerk and Nietzsche’s Vision of Ancient Greek Theatre; 4 A Culture in Crisis: Max Reinhardt’s Productions of Greek Tragedies (1903 19); Sophocles’/Hofmannsthal’s Electra Greek Maenad or Modern Hysteric?; Greek Tragedies in the Circus: Max Reinhardt’s Theatre of the Five Thousand; 5 Hailing a Racial Kinship: Performances of Greek Tragedies during the Third Reich; Resurrecting Ancient Greece in Nazi Germany the Oresteia as Part of the Olympic Games in 1936; Ancient Tragedies in Times of War the Case of Antigone; 6 Of Guilt and Archetypes: Post-War Productions of Greek Tragedies in the 1940s and 50s; Oedipus and the Question of Collective Guilt; Brecht’s Antigone as a Model for Epic Theatre; In Search of the ’Universal Human’ Gustav Rudolf Sellner’s Productions of Greek Tragedies in the 1950s; 7 Inventing New Forms of Political Theatre; Linking Greek with other ’Naive’ Cultures Benno Besson’s Oedipus Tyrant; Lehrstucke on the Imminent Disintegration of the State; Topicalizing the Tragedies of Ancient Greece: Hans Neuenfels’ Medea (1976) and Christoph Nel’s Antigone (1978) in Frankfurt; 8 On the Origins of Theatre and Its Link to the Past: The Schaubuhne’s Antiquity Projects of 1974 and 1980; Antiquity Project I Peter Stein’s Exercises for Actors and Klaus Michael Gruber’s The Bacchae; Antiquity Project II Peter Stein’s Oresteia: Reflections on the Historical Process; 9 Choric Theatre: Between Tragic Experience and Participatory Democracy; The Re-Birth of Tragedy out of the Chorus; Choric Protests and a Peaceful Revolution; Towards the Utopia of a Participatory Democracy; 10 Epilogue: The Return of Dionysus: From Festive Performance to Global Spectacle; Endmatter; Appendix; Bibliography; I. Greek Tragedies; II. Other Works Cited; III. Reviews and Programme Notes Cited; IV. Online References; V. Films; Index
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