图书简介

Part I: Introduction; 1 Setting the Stage: Overture in C Major; 2 The Book’s Composition: Aim and Structure; 3 The Value of a Psychological Approach; 4 Music, Experience, and Affect; Part II: Expression and Perception of Emotion; 5 What Is Meant by Emotional Expression?; 6 Empirical Studies: What Have We Learned?; 7 Music as Expression: Objections and Obstacles; 8 Breaking the Code: The Musical Features; 9 How Are Music and Emotion Links Studied?; 10 Viewing Music Through a Brunswikian Lens; 11 The Voice of Angels? Iconic Expression; 12 Further Layers: Intrinsic and Associative Expression; 13 Deviation From the Exact: The Role of the Performer; Part III: Arousal of Emotion; 14 Beyond Perception: When Music Moves Us; 15 Does Music Arouse Emotions? How Do We Know?; 16 The Prevalence of Emotional Reactions; 17 How Does Music Arouse Emotions?; 18 Jumping at Shadows: Brain Stem Reflex; 19 Get Into the Groove: Rhythmic Entrainment; 20 Mirroring the Expression: Contagion; 21 Ring My Bell: Evaluative Conditioning; 22 Blast From the Past: Episodic Memory; 23 Seeing in the Mind’s Eye: Visual Imagery; 24 What Comes Next? Musical Expectancy; 25 Predictions, Implications, Complications; Part IV: Aesthetic Judgment; 26 Aesthetics: The Hard Problem?; 27 Traditional Approaches to Aesthetics; 28 What’s Special? Adopting the Aesthetic Attitude; 29 Aesthetic Criteria: Meet the Usual Suspects!; 30 A Novel Approach Towards Aesthetic Judgment; 31 Aesthetics and Affect in Broader Perspective; 32 The Last Chorus: Putting It All Together; 33 Coda: Final Outlook; Appendix: The Lens Model Equation

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