The TENG Guide to the Chinese Orchestra serves as a one-stop guide for composers, scholars and enthusiasts alike. As the most updated English publication of its kind, the book is a seminal work on instrumentation and orchestration for instruments of the Chinese orchestra. The instrumentation section builds upon QI — An Instrumental Guide to the Chinese Orchestra (2005), and introduces each instrument’s history, physical attributes and performance techniques in detail, richly illustrated by photographs. New content includes practical scoring advice for composers and reference charts for fingerings and chords. In the orchestration section, the book systematically analyses score excerpts of various Chinese orchestra pieces spanning the last 60 years, highlighting examples of orchestration. Composers can pick up useful techniques while scholars and enthusiasts can appreciate how Chinese instruments work together in an orchestra. Key Features: ○ Language: The book is written in English, which is hard to find. Many Chinese music composers have previously relied on their relationships with musicians to equip them with the necessary knowledge for writing a piece. As such, many other composers are left out of the fold. Amongst these other composers, English-educated composers have an even harder time gaining access to the necessary knowledge through books due to the dearth of English-language books on Chinese music ○ Scope: The book extensively covers instrumentation (how instruments work individually) and orchestration (how instruments work together). This includes the instruments’ histories, physical attributes, performance techniques, photographs and score excerpts of various Chinese orchestra pieces. It is also updated with the latest developments in Chinese music ○ Depth: The instrumentation section offers practical advice, tips and caution for composers, and includes commentaries by the authors based on their collaborations with professional and amateur orchestras internationally. The orchestration section comprises detailed and systematic analyses of score excerpts, revealing insights into the thought processes of experienced Chinese music composers

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