Critical Ethnography:Method, Ethics, and Performance

Critical Ethnography:Method, Ethics, and Performance

辩证民族志学：研究方法，道德规范和表现
新闻理论

售价：

发货周期：预计5-7周发货

作者

D. Soyini Madison

出版社

Sage

出版时间

2019年03月19日

装帧

平装

ＩＳＢＮ

9781483356778

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页码

272

语种

英文

版次

3rd ed.

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暂无评分

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What is critical ethnography? How do we use theory to interpret research data? What is performance ethnography? Readers can find answers to these fundamental questions in D. Soyini Madison’s engaging and highly multidisciplinary Third Edition of Critical Ethnography: Methods, Ethics, and Performance. The book presents a fresh new look at critical ethnography by emphasizing the significance of ethics and performance in the art and politics of fieldwork. The productive links between theory and method are celebrated in this title. Theoretical concepts range from queer theory, feminist theory, and critical race theory to Marxism and phenomenology. The methodological techniques range from designing and asking in-depth interview questions and developing rapport to coding and interpreting data. The various theories and methods culminate in three fictional ethnographic case studies that "enact" the interdependence between theory and method and the significance of social theory, ethics, and performance. Key Features: Cutting-edge approach and perspective: It is the first book to explore and focus on the intersections between theory, fieldwork methods, performance, and praxis. Global examples and material: Theories, methods, and examples are drawn from scholarship that extends beyond the West to include developing world and post-colonial thinkers and practitioners. Effective pedagogy: Examples of ethnographic projects illustrate more abstract or complex discussions and concepts. Critical Ethnography reaches out to any student conducting field research. In particular, upper-division undergraduate and graduate students taking courses in ethnography, qualitative research methods, critical/cultural research methods, or advanced research methods will find this book to be of great value.

Preface \\ Acknowledgments \\ Chapter 1 • Introduction to Critical Ethnography: Theory and Method \\ Defining Terms: What Is the Critical in Critical Ethnography? \\ Dialogue: Virtues and Challenges \\ The Method and Theory Nexus \\ Key Terms \\ Warm-Ups \\ Chapter 2 • Methods: “Do I Really Need a Method?” A Method . . . or Deep Hanging Out? \\ “Who Am I?” Starting Where You Are \\ “Who Else Has Written About My Topic?” Being a Part of an Interpretive Community \\ The Power of Purpose: Bracketing Your Subject \\ Preparing for the Field: The Research Design and Lay Summary \\ The Interview \\ Formulating Questions \\ Questions to Get Started: Experience, Opinions, Feelings, and the Senses \\ Creativity, Questions, and Three Favorites \\ Memory and the Oral History Interview \\ Rapport: How and What Is This Between Us? \\ Coding and Logging Data \\ A Biomimetics of Ethnography \\ Warm-Ups \\ Chapter 3 • Three Stories: Case Studies in Critical Ethnography \\ Case 1: Local Activism in West Africa \\ Case 2: Secrets, Sexuality, and Oral History \\ Case 3: Community Theatre: Conflicts and Organization \\ Warm-Ups \\ Chapter 4 • Ethics \\ Ethics Is . . . \\ Ethics, Faith, and Environmental Activism \\ The Question of Freedom \\ Maria Lugones: Contemporary Ethics, Ethnography, and Loving Perception \\ Summary \\ Warm-Ups \\ Chapter 5 • Methods and Application: Three Case Studies in Ethical Dilemmas \\ Case 1: Local Activism in West Africa \\ Case 2: Secrets, Sexuality, and Oral History \\ Case 3: Community Theatre: Conflicts and Organization \\ Warm-Ups \\ Chapter 6 • Performance and Performed Ethnography \\ Foundational Concepts in Performance and Social Theory \\ Utopian Performatives \\ The Performance Interventions of Dwight Conquergood \\ Staging Ethnography as Performed Ethnography \\ Autoethnography and/or Reflexive Ethnography \\ Autoethnography in Performance as Critical Reflections \\ Warm-Ups \\ Chapter 7 • It’s Time to Write: Writing as Performance \\ Getting Started: In Search of the Muse \\ The Anxiety of Writing: Wild Mind and Monkey Mind \\ Writing as Performance and Performance as Writing \\ Warm-Ups \\ Chapter 8 • The Case Studies \\ Case 1: Staging Cultural Performance \\ Case 2: Oral History and Performance \\ Case 3: Fieldwork and Social Drama \\ Warm-Ups \\ References \\ Index \\ About the Author

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