European Theatre Performance Practice, 1580-1750

图书简介

This volume presents foundational and representative essays of the last half century on theatre performance practice during the period 1580 to 1750, with a particular focus on the nature of playing spaces, staging, acting and audience response in professional theatre. Considerations of theatre practice in Italy, Spain and France, as well as England, place Shakespeare’s theatre in its European context to reveal surprising commonalities and salient differences in the performance practice of early modern Europe’s major professional theatres.

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Yale University Library

Contents: Introduction. Part I Playing Spaces: The changing scene: plays and playhouses in the Italian Renaissance, Michael Anderson; The theatres, John Orrell; Staging and performance, Jonathan Thacker; The material conditions of Moli?re?s stage, Jan Clarke. Part II Staging: Shakespeare?s stage, J.L. Styan; Shakespeare?s theater: tradition and experiment, Robert Weimann; Women at the windows: commedia dell? arte and theatrical practice in early modern Italy, Jane Tylus; The circulation of clothes and the making of the English theater, Ann Rosalind Jones and Peter Stallybrass; Absorbing interests: Kyd?s bloody handkerchief as palimpsest, Andrew Sofer; Insubstantial pageants: women?s work and the (im)material culture of the early modern stage, Natasha Korda. Part III Acting: Ruzante and the evolution of acting practice in Renaissance Italy, Ronnie Ferguson; Arte dialogue structures in the comedies of Moli?re, Richard Andrews; Rogues and rhetoricians: acting styles in early English drama, Peter Thomson; Rehearsal, performance and plays, Tiffany Stern; Comic stage routines in Guarinonius? medical treatise of 1610, M.A. Katritzky; ?La virtu et la volupt??: models for the actress in early modern Italy and France, Virginia Scott; Acting, Gerry McCarthy. Part IV Audiences: The audiences, Andrew Gurr; Theaters and audiences, Stephen Orgel; Women as spectators, spectacles, and paying customers, Jean E. Howard; Toward reconstructing the audiences of the commedia dell? arte, Robert Henke; The audience, W.L. Wiley; The actors and their audience, N.D. Shergold. Name index.

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European Theatre Performance Practice, 1580-1750（Critical Essays on European Theatre Performance Practice） 欧洲戏剧表演实践，1580年至1750年 东欧文学

European Theatre Performance Practice, 1580-1750（Critical Essays on European Theatre Performance Practice）

欧洲戏剧表演实践，1580年至1750年
东欧文学