European Theatre Performance Practice, 1400-1580

图书简介

This volume brings together important records of medieval theatre practice between 1400 and 1580. The records are drawn from a wide range of spheres including civic, ecclesiastical, trade and guild records and consist of payments for materials, techniques and services; also included are some eye witness accounts. Alongside these records is a selection of the best contemporary research conducted into medieval performance practice, which features ground-breaking analysis and challenges current understanding, knowledge and authority in this field.

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Yale University Library

Princeton University Library

Contents: Introduction; Part I Records: St John?s College register of inventories (1548-9), Trinity College Inventory (1550), Alan H. Nelson; Cordwainers? and shoemakers? accounts (1549-50), Smiths?, cutlers?, and plumbers? accounts (1560-61), Bowyers?, fletchers?, coopers?, and stringers? accounts (1571), Painters?, glaziers?, embroiderers?, and stationers? accounts (1571), Elizabeth Baldwin, Lawrence M. Clopper and David Mills; Cappers? records (1540), Drapers? accounts (1563), Smiths? accounts (1584), R.W. Ingram; Corporation chamberlains? accounts (1573-4) (Elizabeth?s visit), Willis? description of a play at Gloucester (1570s), Audrey Douglas and Peter Greenfield; Chamberlains? accounts (New Romney, 1483-6 and 1560-61), James M. Gibson; Grocers? Guild records (1564-5), David Galloway; Mercers? pageant documents (1433) (indenture), Mercers? pageant documents (1461) (expenses), Alexandra F. Johnston and Margaret Rogerson; Of perspective, Sebastiano Serlio; Third dialogue, Leoni di Somi. Part II Pageant Vehicle Staging: The York Mercers and their pageant of Doomsday, 1433-1526, Alexandra F. Johnston and Margaret (Dorrell) Rogerson; The development of the York Mercers? pageant waggon, Peter Meredith; The manner of these playes, John Marshall; The Coventry pageant waggon, Reg Ingram. Part III Other Forms of Staging: Criteria for a popular repertory, David Bevington; La festa d?Elx: the Festival of the Assumption of the Virgin, Elche (Alicante), Pamela M. King and Asunci??n Salvador-Rabaza; Drama and the city: city parades, Katie Normington; Moving encounters: choreographing stage and spectators in urban theatre and pageantry, Tom Pettitt. Part IV Costume, Mask and Stage Effects: Apparell comlye, Meg Twycross; Gunnepowdyr, fyre and thondyr, Philip Butterworth; Mystery plays, Meg Twycross and Sarah Carpenter; Magic through sound: illusion, deception and agreed pretence, Philip Butterworth. Part V Playing: ?Look at

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European Theatre Performance Practice, 1400-1580（Critical Essays on European Theatre Performance Practice） 欧洲戏剧表演实践，1400至1580年 东欧文学

European Theatre Performance Practice, 1400-1580（Critical Essays on European Theatre Performance Practice）

欧洲戏剧表演实践，1400至1580年
东欧文学