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Peter Robinson: Introduction: The Limits and Openness of the Contemporary; I. Movements over Time; 1 Edward Larrissy: Modernist Survivors; 2 Michael O’Neill: The Thirties Bequest; 3 Leo Mellor: The Unburied Past: Walking with Ghosts of the 1940s; 4 William May: ’Obscure and Doubtful’: Stevie Smith, F. T. Prince, and Legacy; 5 Martin Dodsworth: The Movement: Never and Always; 6 Jeremy Noel-Tod: ’In different voices’: Modernism since the 1960s; 7 Helen Bailey: Two Poetries?: A Re-examination of the ’Poetry Divide’ in 1970s Britain; 8 Deryn Rees-Jones: A Dog’s Own Chance: The Evolution of Women’s Poetry 1979-2010; 9 Richard Price: CAT-scanning the Little Magazine; 10 Matthew Sperling: Books and the Market: Trade Publishers, State Subsidies, and Small Presses; II. Senses of Form and Technique; 11 Jeffrey Wainwright: ’Space available’: A Poet’s Decisions; 12 Adam Piette: Contemporary Poetry and Close Reading; 13 Simon Dentith: . ’All livin language is sacred’: Poetry and Varieties of English in these Islands; 14 Zoe Skoulding: Misremembered Lyric and Orphaned Music; 15 Conor Carville: ’The degree of power exercized’: Recent Ekphrasis; 16 Sophie Mayer: Cinema Mon Amour: How British Poetry Fell in Love with Film; 17 Peter Carpenter: Singing Schools and Beyond: The Roles of Creative Writing; III. Poetry in Places; 18 Heather O’Donoghue: Historical and Archaeological: The Poetry of Recovery and Memory; 19 John Kerrigan: London, Albion; 20 Peter Middleton: The ’London Cut’: Science and Language; 21 David Wheatley: ’Dafter than we care to own’: Some Poets of the North; 22 John Redmond: Auden in Ireland; 23 Maria Johnston: ’Other Modes of Being’: Nuala Ni Dhomhnaill and Translation; 24 Alice Entwistle: Writing [w]here: Gender and Cultural Positioning in Ireland and Wales; 25 Rod Mengham: The Altered Sublime: Raworth, Crozier, Prynne; IV. Border Crossings; 26 David Herd: Dislocating Country: Post-War English Poetry and the Politics of Movement; 27 Omaar Hena: Multi-ethnic British Poetries; 28 Stephen Romer: European Affinities; 29 Iain Galbraith: Scottish Poetry in the Wider World; 30 Romana Huk: The View from the U. S. A.; 31 Anna Smaill: Audience and Awkwardness: Personal Poetry in Britain and New Zealand; V. Responsibilities and Values; 32 Max de Gaynesforde: Speech Acts, Responsibility, and Commitment in Poetry; 33 Natalie Pollard: ’Is a chat with me your fancy?: Address in Contemporary British Poetry; 34 Peter Robinson: . ’There Again’: Composition, Revision, and Repair; 35 Piers Pennington: Reparation, Atonement, and Redress; 36 Michael Symmons Roberts: Contemporary Poetry and Belief; 37 Andrea Brady: The Loneliness of the Long-Distance Poet; 38 Peter Robinson: Contemporary Poetry and Value

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