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List of Illustrations; Acknowledgements; Foreword; Part I: Introduction; 1 Futurist Theatre: A Preliminary Characterization; 2 The State of Italian Theatre Before the Advent of Futurism; 3 Marinetti’s Early Writings and Aesthetics: A Prelude to Futurism; 4 The Founding of the Futurist Movement and the First Manifestos; Part II: The Birth of a Futurist Theatre; 1 Political Action Theatre as a Performative Genre; 2 The Beginnings of a Futurist Performance Art: The Early serate; 3 Futurist Dramatic Theory: The Early Manifestos; 4 Futurism and the Professional Theatre: The First Companies Touring with a Futurist Repertoire; 5 Theatre Performances in Art Galleries; 6 The Stage Works of Giacomo Balla; 7 Enrico Prampolini’s Early Futurist Career; 8 Fortunato Depero’s Theatrical Experiments of the 1910s; Part III: The Second Futurist Movement, 1920-30; 1 Futurism Under the Fascist Regime; 2 The Revival of Futurist Theatre in the 1920s; 3 Futurist Cabaret, Artists’ Festivals, and Banquets; 4 From the Religion of Speed to the Cult of the Machine; 5 The machine Art of Vinicio Paladini and Ivo Pannaggi; 6 Fillia’s Theatrical Experiments in the 1920s; 7 Enrico Prampolini’s Theatrical Career in the 1920s; 8 Fortunato Depero’s Contribution to a Futurist Mechanical Theatre; 9 Fedele Azario and Futurist Aerial Theatre; 10 Vasari’s Apocalyptic Vision of the Futurist Machine Age; Part IV: Epilogue: Futurism in the 1930s and 1940s; 1 Futurism Tied to the Procustrean Bed of the Fascist State; 2 The Last Signs of Life in Futurist Theatre; Bibliography; Index

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